Steinberg UR28M USB Audio Interface - UR28M - 086792958781

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UR28M

6-in/8-out USB 2.0 audio interface with 2x D-PREs and 3x3 monitoring matrix

Boasting high-resolution audio through its analog and digital I/O alongside the widely acclaimed D-Pre mic preamps makes the UR28M desktop interface the best choice for individual musicians and producers of small-scale projects. The 3x3 monitor matrix for switching between setups, the DSP-powered monitoring and native VST 3 plug-ins in the UR28M provide an eminently flexible recording experience.

Pure sound for your recordings

Designed for easy access to controls and connectors, the UR28M’s console comes with a single prominent output volume knob for individually controlling the levels of one of three stereo output pairs or the levels of six outputs simultaneously. You can also select between three monitoring mixes set up in the dspMixFx mixer or Cubase which is routed to the selected outputs. Several smaller rotary knobs to control signal levels of inputs 1 and 2 and the levels of the two headphone outputs, while further dedicated switches for inputs 1 and 2 allow you to employ 48 volt phantom power, 26 dB signal attenuation and connecting high-impedance instruments. Other controls include the Dim button for attenuating all line output signals by 20 dB, the Mono button and the Mute button for muting the selected output signal.

The rear panel provides two TRS line inputs and two Neutrik combo TRS/XLR mic/line inputs alongside six analog balanced TRS outputs plus a coaxial S/PDIF input and output connector. Also included is a 1/8 inch stereo input jack for connecting to a portable audio player or other devices as a reference source

Best setups for your gear

The UR28M represents a top-notch recording system with plenty of inputs and outputs to connect to microphones, instruments, studio monitors and headphones. There’s a USB connector to hook up to either your Mac or PC that lets you record and mix your productions with the included Cubase AI workstation or other audio software.

And with the free update to version 2, the UR28M also works with the iPad (2 or later) through Apple’s iPad Camera Connection Kit allowing you to record up to four input channels in an iOS audio application, such as Steinberg’s Cubasis.

EXCELLENT SOUND, SWIFT WORKFLOW

The UR28M is a recording and production solution for project studios prioritizing excellent sound and a swift workflow. Connections required for studios such as S/PDIF and routable TRS I/Os are at hand. Also on board are EQ and compression tools in the form of the Sweet Spot Morphing Channel Strips on each channel, not to forget the REV-X plug-in that provides quality reverb for modifying the intricacy of a sonic space and the Guitar Amp Classics effects for studio-grade guitar tracks. The UR28M allows for up to 5.1 surround with its six line outputs.

KEEP ON ROCKIN’

The UR28M interface is ideal for rehearsal rooms. Thanks to its practical size you can place it anywhere and even take it home with you. With analog and digital inputs over six channels plus acclaimed D-PRE mic preamps, UR28M provides everything you need to record your band in pristine audio quality. Record instruments and vocals in the rehearsal room and mix them later on at home or in the studio in Cubase AI or your preferred DAW

iPad connectivity and free dspMixFx app

With the latest firmware updates, the UR28M introduces iPad connectivity and the free dspMixFx app alongside some other new features. Together with the UR824, the dspMixFx app allows you to utilize the benefits of Yamaha’s custom-designed SSP2 DSP chip directly on your iPad. The dspMixFx app provides latency-free monitoring while running the highly acclaimed REV-X reverb, the Sweet Spot Morphing Channel Strip and Guitar Amp Classics with other iOS audio apps.

24-bit/96 kHz 6x8 USB 2.0 audio interface
Two Class A D-PRE mic preamps
dspMixFX
S/PDIF digital I/O
Monitor control
Compatible with major recording software
iPad connectivity
Basic FX Suite
MPN: UR28M
UPC: 086792958781

Audio MIDI Plus is committed to deliver the best experience for our customers. If for some reason you are not satisfied with your purchase, you may return it for a refund of the purchase price, an exchange or a store credit within 30 days from the ship date.

In the unlikely event that you received a defective product, a wrong product, or damaged product, Audio MIDI Plus will replace it at no charge of any additional shipping cost. We will send you a prepaid label to return the item, and ship you a replacement. You will not incur any shipping charges. Please notify us of any of damaged, defective or misshipped products within 14 days.

After 30 days, you may request manufacturer warranty if your item malfunctions. Unless otherwise specified, Audio MIDI Plus is an authorized dealer for all the brands we represent.

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Please email us or call us to obtain a RMA number. All returns must be in a re-sellable condition and include all packing materials, accessories and paperwork. We may apply a restocking fee if the returned products fall into these following categories:

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Carlsbad, CA 92010

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Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I\/O, the Studio 192 fits into any recording and production environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuperior sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAudiophile-grade digital converters, ultra-low jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Studio 192 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Studio One in Studio 192\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Studio 192, your audio interface is an integrated extension of your recording environment. Launch Studio One 3, and you’ll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote control with UC Surface, too!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Studio 192’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGreat signal processors are a PreSonus tradition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAdding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 provides sixteen instances of Studio One’s Fat Channel plug-in, one for every analog input and the first ADAT inputs, plus a stereo reverb and delay. 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110 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (mid. 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Gain, unwtd): \u0026gt; 105 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N (1 kHz, -1 dBFS, a-wtd): \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003eTHD+N (1 kHz, -1 dBFS, un-wtd): \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt; 1 MΩ\u003c\/li\u003e\n\u003cli\u003eCrosstalk (1 kHz, channel-to-channel): \u0026lt; -80 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: ¼” TRS Female (via Combo), Balanced\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (min. gain, 1 kHz@0.5% THD+N): + 18 dBu, +\/-0.5 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response (A-D): 20 Hz to 20 kHz, +\/-0.2 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (min. gain, a-wtd): \u0026gt; 114 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (mid. gain, unwtd): \u0026gt; 105 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N (1 kHz, -1 dBFS, a-wtd): \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 10 kΩ\u003c\/li\u003e\n\u003cli\u003eCrosstalk (1 kHz, channel-to-channel): \u0026lt; -80 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMain and Line Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType (Line Outputs): ¼” TRS Female, Impedance Balanced\u003c\/li\u003e\n\u003cli\u003eType (Main Outputs): ¼” TRS Female, Impedance Balanced\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +18 dBu, ±0.5 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20 Hz to 20 kHz, ±0.2 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (a-wtd): \u0026gt; 112 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N (1 kHz, -1 dBFS, un-wtd): \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 51Ω\u003c\/li\u003e\n\u003cli\u003eCrosstalk (1 kHz, channel-to-channel): \u0026lt; -80 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHeadphone Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: ¼” TRS Female, Stereo, Unbalanced\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: 150 mW\/channel @ 60Ω\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20 Hz to 20 kHz, ±0.3 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (a-wtd): \u0026gt; 103 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N (1 kHz, -1 dBFS, un-wtd): \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003eCrosstalk (1 kHz, channel-to-channel): \u0026lt; -80 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Talkback Microphone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: Electret Condenser\u003c\/li\u003e\n\u003cli\u003eSensitivity: -42 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSignal Level LEDs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSignal 1: -50 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 2: -30 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 3: -20 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 4: -10 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 5: -6 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 6: -4 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 7: -2 dBFS\u003c\/li\u003e\n\u003cli\u003eClip: -0.5 dBFS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHost Interface: USB 3.0 (backward compatible with USB 2.0)\u003c\/li\u003e\n\u003cli\u003eADC Dynamic Range (A-wtd, 48 kHz): 118 dB\u003c\/li\u003e\n\u003cli\u003eDAC Dynamic Range (A-wtd, 48 kHz): 118 dB\u003c\/li\u003e\n\u003cli\u003eBit Depth: 24 bits\u003c\/li\u003e\n\u003cli\u003eInternally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz\u003c\/li\u003e\n\u003cli\u003eADAT Optical I\/O: ADAT\/SMUX II formats supported [16x16 (44.1\/48 kHz), 8x8 (88.2\/96 kHz)]\u003c\/li\u003e\n\u003cli\u003eS\/PDIF I\/O: RCA female connections, supported up to 96 kHz\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O: BNC connector, 4.5 Vpp @75Ω load\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eClock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJitter: \u0026lt;50 ps RMS (20 Hz – 20 kHz)\u003c\/li\u003e\n\u003cli\u003eJitter Attenuation: \u0026gt;60 dB (1 ns in =\u0026gt; 1 ps out)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExternal Power Adapter: +12 VDC, 3.0A, center positive\u003c\/li\u003e\n\u003cli\u003eConnector Type: Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 1U rackmount\u003c\/li\u003e\n\u003cli\u003eHeight: 1.75” (44.45 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 5.5” (139.7 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 19” (482.6 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 4.9 lb. (2.22 kg)\u003c\/li\u003e\n\u003cli\u003eMPN: STUDIO192\u003c\/li\u003e\n\u003cli\u003eUPC: 673454003288\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eVIDEO\u003c\/h5\u003e\n\u003ciframe width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RE9HHcEF_PM\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","published_at":"2016-05-24T18:18:00-07:00","created_at":"2015-10-29T08:58:06-07:00","vendor":"Presonus","type":"Audio Interface","tags":["152382","152382 PreSonus","3.0 Audio Interface","673454003288","673454003288 PreSonus","Apogee","audio interface","Audio Interface by PreSonus","Audio Interface PreSonus","cf-type-audio-interface","cf-vendor-presonus","computer recording","computer recording Accessories","guitar","interface","new","presonus","PreSonus 152382","Presonus 673454003288","PreSonus Audio Interface","PreSonus PS192AI","Presonus PSTUDIO192","PreSonus Studio 192 USB Audio Interface and Studio Command Center","PreSonus STUDIO192","Presonus' NEW Studio 192","PS192AI PreSonus","PSTUDIO192","recording","Recording Instru","Recording Instruments","reverbsync-force:on","reverbsync-seller-cost:699","reverbsync-upc:673454003288","studio","Studio 192","STUDIO 192 USB AUDIO INTERFACE","Studio Command Center","STUDIO192","STUDIO192 PreSonus","Universal Audio","USB","USB 3"],"price":89995,"price_min":89995,"price_max":89995,"available":true,"price_varies":false,"compare_at_price":119995,"compare_at_price_min":119995,"compare_at_price_max":119995,"compare_at_price_varies":false,"variants":[{"id":9807117571,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"PSTUDIO192","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus Studio 192 26 x 32 USB 3.0 Audio Interface and Studio Command Center - STUDIO192 - 673454003288","public_title":null,"options":["Default Title"],"price":89995,"weight":2495,"compare_at_price":119995,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"673454003288"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/PSTUDIO192a.jpg?v=1446134289"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/PSTUDIO192a.jpg?v=1446134289","options":["Title"],"media":[{"alt":null,"id":32673235043,"position":1,"preview_image":{"aspect_ratio":3.371,"height":356,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/PSTUDIO192a.jpg?v=1568710776"},"aspect_ratio":3.371,"height":356,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/PSTUDIO192a.jpg?v=1568710776","width":1200}],"content":"\u003cp\u003e\u003cstrong\u003eBuilt to Create\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe PreSonus Studio 192 USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a single rack space. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 was built for you to create.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYour studio command center\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Studio 192 is designed to be the central hub for any project or professional studio. The onboard talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I\/O, the Studio 192 fits into any recording and production environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuperior sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAudiophile-grade digital converters, ultra-low jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Studio 192 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Studio One in Studio 192\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Studio 192, your audio interface is an integrated extension of your recording environment. Launch Studio One 3, and you’ll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote control with UC Surface, too!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Studio 192’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGreat signal processors are a PreSonus tradition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAdding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 provides sixteen instances of Studio One’s Fat Channel plug-in, one for every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpandable when you need more I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Studio 192 has 18 digital inputs and outputs, allowing you to add more analog I\/O when you need it. The DigiMax DP88 preamp\/converter was designed to seamlessly extend the analog I\/O on the Studio 192 with eight digitally-controlled XMAX preamps, ADAT I\/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I\/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 so that they naturally extend your analog inputs both sonically and functionally.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet your hands on a Studio 192\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Studio 192 gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, monitoring with DSP effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other. Check it out at your favorite PreSonus dealer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e26x32, 24-bit, 192 kHz audio interface and studio command center\u003c\/li\u003e\n\u003cli\u003eInput monitoring with StudioLive Fat Channel DSP processing on every analog input and the first ADAT inputs\u003c\/li\u003e\n\u003cli\u003eIntegrated zero-latency monitoring\u003c\/li\u003e\n\u003cli\u003eSpeaker switching and talkback\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIntegrated Software\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTotal integration with included Studio One Artist DAW software (Mac\/Windows) for multitrack music production, monitor mixing with effects, and studio command features\u003c\/li\u003e\n\u003cli\u003eWireless control over preamp levels, monitor mixing, and speaker switching from included UC Surface touch-control software (Mac\/Windows\/iPad) and from free Studio One Remote for iPad\u003c\/li\u003e\n\u003cli\u003eCompatible with most recording software for Mac and Windows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible Connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSimultaneous I\/O up to 26 inputs\/32 outputs (8x14 at 192 kHz)\u003c\/li\u003e\n\u003cli\u003eIndividual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface\u003c\/li\u003e\n\u003cli\u003e2 front-panel combo microphone\/instrument inputs\u003c\/li\u003e\n\u003cli\u003e8 XMAX remote controllable mic preamps with individually switched 48V phantom power\u003c\/li\u003e\n\u003cli\u003e6 balanced line level direct-to-ADC inputs, available via dual-purpose rear-panel combo jacks\u003c\/li\u003e\n\u003cli\u003e8 balanced TRS ¼” outputs for monitor mixing and speaker switching\u003c\/li\u003e\n\u003cli\u003eADAT \/ Dual SMUX Optical inputs\/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channel at 88.2 or 96 kHz\u003c\/li\u003e\n\u003cli\u003eStereo S\/PDIF coaxial input and output\u003c\/li\u003e\n\u003cli\u003eBNC word clock input and output with low-jitter clocking\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDigitalia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUSB 3.0 audio interface\u003c\/li\u003e\n\u003cli\u003eUSB 2.0 compatible\u003c\/li\u003e\n\u003cli\u003e24-bit resolution and up to 192 kHz sampling rate\u003c\/li\u003e\n\u003cli\u003eTop-quality 118 dB A\/D\/A converters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRoad-rugged construction with all-metal chassis and metal knobs\u003c\/li\u003e\n\u003cli\u003e1U rack-mountable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eFEATURES\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eMac\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMac OS X 10.8.5 64-bit or later\u003c\/li\u003e\n\u003cli\u003eIntel Core 2 Duo processor\u003c\/li\u003e\n\u003cli\u003e4 GB RAM\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003c\/li\u003e\n\u003cli\u003eIntel Core 2 Duo or AMD Athlon X2 processor\u003c\/li\u003e\n\u003cli\u003e4 GB RAM\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMac and Windows Systems\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUSB 2.0 port\u003c\/li\u003e\n\u003cli\u003eInternet connection\u003c\/li\u003e\n\u003cli\u003eInternal or external 7200 RPM storage drive highly recommended\u003c\/li\u003e\n\u003cli\u003e30 GB hard disk space\u003c\/li\u003e\n\u003cli\u003eMonitor with 1366x768 resolution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eiOS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eiOS 9.3 or later\u003c\/li\u003e\n\u003cli\u003eiPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u2028\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAndroid (QMix-UC)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAndroid 5.0 (Lollipop) or later\u003c\/li\u003e\n\u003cli\u003eAndroid smartphone or tablet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone Preamp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: XLR Female (via Combo), Balanced Remote\u003c\/li\u003e\n\u003cli\u003eMaximum Input level (min. gain, 1 kHz@0.5% THD+N): +12 dBu, ±0.5 dB\u003c\/li\u003e\n\u003cli\u003eGain Control Range: 60 dB, ±1 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response (A-D): 10 Hz to 40 kHz, ±0.2 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (min. gain, a-wtd): \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (mid. Gain, unwtd): \u0026gt; 105 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N (min. gain, a-wtd): \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 1.6 kΩ\u003c\/li\u003e\n\u003cli\u003eEIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd): \u0026lt; 128 dBu\u003c\/li\u003e\n\u003cli\u003eCommon Mode Rejection Ratio (1 kHz, +55dB gain): \u0026gt; 55 dB\u003c\/li\u003e\n\u003cli\u003ePhantom Power: +48V, ±3V, \u0026gt;8 mA per channel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInstrument Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: ¼” TS Female (via Combo), Unbalanced\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (min. gain, 1 kHz@0.5% THD+N): +16 dBu, ±0.5 dB\u003c\/li\u003e\n\u003cli\u003eGain Control Range: 60 dB, ±1 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response (A-D): 20 Hz to 20 kHz, ±0.2 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (min. gain, a-wtd): \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (mid. Gain, unwtd): \u0026gt; 105 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N (1 kHz, -1 dBFS, a-wtd): \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003eTHD+N (1 kHz, -1 dBFS, un-wtd): \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003eInput Impedance: \u0026gt; 1 MΩ\u003c\/li\u003e\n\u003cli\u003eCrosstalk (1 kHz, channel-to-channel): \u0026lt; -80 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLine Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: ¼” TRS Female (via Combo), Balanced\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level (min. gain, 1 kHz@0.5% THD+N): + 18 dBu, +\/-0.5 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response (A-D): 20 Hz to 20 kHz, +\/-0.2 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (min. gain, a-wtd): \u0026gt; 114 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (mid. gain, unwtd): \u0026gt; 105 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N (1 kHz, -1 dBFS, a-wtd): \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 10 kΩ\u003c\/li\u003e\n\u003cli\u003eCrosstalk (1 kHz, channel-to-channel): \u0026lt; -80 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMain and Line Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType (Line Outputs): ¼” TRS Female, Impedance Balanced\u003c\/li\u003e\n\u003cli\u003eType (Main Outputs): ¼” TRS Female, Impedance Balanced\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +18 dBu, ±0.5 dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20 Hz to 20 kHz, ±0.2 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (a-wtd): \u0026gt; 112 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N (1 kHz, -1 dBFS, un-wtd): \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 51Ω\u003c\/li\u003e\n\u003cli\u003eCrosstalk (1 kHz, channel-to-channel): \u0026lt; -80 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHeadphone Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: ¼” TRS Female, Stereo, Unbalanced\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: 150 mW\/channel @ 60Ω\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20 Hz to 20 kHz, ±0.3 dB\u003c\/li\u003e\n\u003cli\u003eDynamic Range (a-wtd): \u0026gt; 103 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N (1 kHz, -1 dBFS, un-wtd): \u0026lt; 0.005%\u003c\/li\u003e\n\u003cli\u003eCrosstalk (1 kHz, channel-to-channel): \u0026lt; -80 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Talkback Microphone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: Electret Condenser\u003c\/li\u003e\n\u003cli\u003eSensitivity: -42 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSignal Level LEDs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSignal 1: -50 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 2: -30 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 3: -20 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 4: -10 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 5: -6 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 6: -4 dBFS\u003c\/li\u003e\n\u003cli\u003eSignal 7: -2 dBFS\u003c\/li\u003e\n\u003cli\u003eClip: -0.5 dBFS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHost Interface: USB 3.0 (backward compatible with USB 2.0)\u003c\/li\u003e\n\u003cli\u003eADC Dynamic Range (A-wtd, 48 kHz): 118 dB\u003c\/li\u003e\n\u003cli\u003eDAC Dynamic Range (A-wtd, 48 kHz): 118 dB\u003c\/li\u003e\n\u003cli\u003eBit Depth: 24 bits\u003c\/li\u003e\n\u003cli\u003eInternally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz\u003c\/li\u003e\n\u003cli\u003eADAT Optical I\/O: ADAT\/SMUX II formats supported [16x16 (44.1\/48 kHz), 8x8 (88.2\/96 kHz)]\u003c\/li\u003e\n\u003cli\u003eS\/PDIF I\/O: RCA female connections, supported up to 96 kHz\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O: BNC connector, 4.5 Vpp @75Ω load\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eClock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJitter: \u0026lt;50 ps RMS (20 Hz – 20 kHz)\u003c\/li\u003e\n\u003cli\u003eJitter Attenuation: \u0026gt;60 dB (1 ns in =\u0026gt; 1 ps out)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExternal Power Adapter: +12 VDC, 3.0A, center positive\u003c\/li\u003e\n\u003cli\u003eConnector Type: Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 1U rackmount\u003c\/li\u003e\n\u003cli\u003eHeight: 1.75” (44.45 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 5.5” (139.7 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 19” (482.6 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 4.9 lb. (2.22 kg)\u003c\/li\u003e\n\u003cli\u003eMPN: STUDIO192\u003c\/li\u003e\n\u003cli\u003eUPC: 673454003288\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eVIDEO\u003c\/h5\u003e\n\u003ciframe width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RE9HHcEF_PM\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e"}

PreSonus Studio 192 26 x 32 USB 3.0 Audio Interface and Studio Command Center - STUDIO192 - 673454003288
~~$ 1,199.95~~ $ 899.95
Built to Create The PreSonus Studio 192 USB 3.0...
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{"id":1528119875,"title":"RME Fireface 802 24 Bit \/ 192 kHz 60-channel Hi-Performance USB 2.0 FW Audio Interface - FF802 - 874792004337","handle":"rme-fireface-802-24-bit-192-khz-60-channel-hi-performance-usb-2-0-or-fw-audio-interface-ffireface802","description":"\u003cdiv class='\"content\"'\u003e\n\u003cdiv class='\"productDescriptionWrapper\"'\u003e\n\u003cdiv class='\"emptyClear\"'\u003e\n\u003cp\u003eThe Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features\u003c\/p\u003e\n\u003cp\u003eUltra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.\u003c\/p\u003e\n\u003cp\u003eTotalMix FX, RME’s digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb\/Echo effects at up to 192 kHz, plus a built-in monitoring controller. \u2028\u003c\/p\u003e\n\u003cp\u003eThe full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME’s app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs and Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 provides 60 channels of audio: 30 input and 30 output channels.\u003c\/p\u003e\n\u003cp\u003eAll inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 tracks separately.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 has 12 analog I\/Os.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e12 Inputs\u003c\/strong\u003e . 8 balanced TRS on the back and 4 XLR inputs with Mic\/Instrument preamps on the front.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e12 Outputs\u003c\/strong\u003e . On the rear: 8 balanced TRS. On the front: Two hi-power TRS stereo phones outputs provide high volumes even with hi-impedance headphones (playback channels 9\/10 and 11\/12).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality\u003c\/strong\u003e . Like other RME products before the Fireface 802 combines excellent analog circuit design with latest digital conversion technology. All balanced TRS \u0026amp; XLR I\/Os as well as the two phones outputs offer outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don’t produce “sound”, they do not add or remove anything from the source signal, just capture it as it is.\u003c\/p\u003e\n\u003cp\u003eEquipped with the latest low latency A\/D and D\/A converter chips, all I\/Os operate at up to 192 kHz and reach 118 dBA dynamic range on playback - even both headphone outputs. Their high power technology delivers high volume no matter if high or low impedance phones are used.\u003c\/p\u003e\n\u003cp\u003eDue to its efficient jitter reduction, RME’s superior SteadyClock guarantees state-of-the-art AD\/DA conversion, even when clocking to an external clock source.\u003c\/p\u003e\n\u003cp\u003eEvery input and output is individually switchable to these common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale).\u003c\/p\u003e\n\u003cp\u003eAll outputs can be used for ASIO Direct Monitoring (ADM) purposes.\u003c\/p\u003e\n\u003cp\u003ePreamps . for Microphones and Instruments with Low Latency Conversion. The 802 has four high-transparency preamps, also with low latency converters.\u003c\/p\u003e\n\u003cp\u003eMicrophone and instrument preamps of the 802 use the classic technology of the OctaMic II, a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\n\u003cp\u003eThe pot-controlled gain of up to 60 dB, adjustable over a range of 54 dB, is individually set for every preamp on the front of the 802.\u003c\/p\u003e\n\u003cp\u003eThe four inputs on the front use balanced XLR\/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required.\u003c\/p\u003e\n\u003cp\u003eEach channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I\/Os on the rear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e: The Fireface 802 has one professional AES\/EBU I\/O operating at up to 192 kHz.\u003c\/p\u003e\n\u003cp\u003eADAT: Two 8-channel ADAT I\/Os allow for a connection of two additional AD\/DA converters or the insertion of effects devices and mixing consoles. Both I\/Os support sample rates at up to 192 kHz (S\/MUX4). Like AES\/EBU, these 16 ADAT channels are available simultaneously with the analog channels. Using two external converters like the ADI-8 QS, the 802 will provide 28 analog inputs and outputs, 20 with a sample rate of 96 kHz, and still 16 at 192 kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF:\u003c\/strong\u003e The second ADAT I\/O can be used as optical SPDIF I\/O, making the Fireface 802 connections even more flexible.\u003c\/p\u003e\n\u003cp\u003eWord Clock \u0026amp; MIDI: A word clock input and output (BNC) with switchable termination and a MIDI I\/O complete the list of connections, turning the Fireface 802 into a professional audio system with universal usability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DSP based TotalMix mixer allows fully independent routing and mixing of all 30 input and 30 playback channels to all 30 physical outputs. Up to 15 totally independent stereo submixes plus a luxury Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\n\u003cp\u003eEvery input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by a stereo send and return bus. The Fireface 802 offers all these effects in all sample rates, including 192 kHz.\u003c\/p\u003e\n\u003cp\u003eThe two DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels (90) at all sample rates, completely unlimited. The second DSP calculates the effects only, therefore has sufficient resources. For example, at 48 kHz 60 EQs, 40 Low Cuts, 8 Dynamics, Reverb and Echo can be activated.\u003c\/p\u003e\n\u003cp\u003eThe FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the 802 automatically deactivates all effects that exceed the DSP's performance - the DSP will never be overloaded. This also prevents the user from destroyed loudspeakers.\u003c\/p\u003e\n\u003cp\u003eThe complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer, e.g. to create different latency-free monitoring mixes with EQ and Reverb for the main studio monitors and the headphone of the vocalist(s) in the recording chamber.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Controller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 is not only a perfect desktop level controller, but a monitor switcher and source selector with integrated talkback function for modern Mix-In-the-Box studios. As the 802 includes the usually externally added monitoring controller, it also preserves the original sound, as its hardware outputs stay directly connected to the studio monitors\u003c\/p\u003e\n\u003cp\u003eMonitoring Management . Any hardware output can be assigned as Main or Phones output. Talkback, Listenback, Mono, Dim, Recall and External Input will then work automatically and as expected on the assigned outputs.\u003c\/p\u003e\n\u003cp\u003eAdvanced Remote Control . The 802 has a connector for the optional Advanced Remote Control, offering direct access to Volume, DIM, Store, Recall, Mono, Talkback, External Input and much more. Its keys can be also be reprogrammed with individual commands.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB \u0026amp; FireWire\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB 2.0 .\u003c\/strong\u003e The Fireface 802 has been uncompromisingly optimized for highest performance under Windows and Mac OS. It uses customized firmwares for every operating system. Like Fireface UCX and UFX, the 802 provides revolutionary ultra-low latencies* even with multiple channels, comparable to those of PCI and PCI-Express solutions.\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eAD, Line In 1-8, rear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eResolution AD: 24 bit\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 192 kHz, -1 dB: 5 Hz - 92 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt; -104 dB, \u0026lt; 0.00063 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eInput: 6.3 mm TRS jack, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: 8 kOhm unbalanced, 12 kOhm balanced\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: switchable to Lo Gain, +4 dBu, -10 dBV\u003c\/li\u003e\n\u003cli\u003eInput level for 0 dBFS: @ Lo Gain: +19 dBu\u003c\/li\u003e\n\u003cli\u003eInput level for 0 dBFS: @ +4 dBu: +13 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone In 9-12, front\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAs AD, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput impedance: 3.4 kOhm\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA\u003c\/li\u003e\n\u003cli\u003eGain range: 54 dB\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain +6 dB: +10 dBu\u003c\/li\u003e\n\u003cli\u003eInstrument In 9-12, front\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAs AD, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: 6.3 mm TS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eInput impedance: 800 kOhm\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain +6 dB: +21 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA, Line Out 1-8, rear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic range (DR): 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 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FF802 - 874792004337","public_title":null,"options":["Default Title"],"price":199900,"weight":12,"compare_at_price":219900,"inventory_quantity":11,"inventory_management":null,"inventory_policy":"deny","barcode":"874792004337"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_3.jpg?v=1490884052","\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802.jpg?v=1490884052","\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_1.jpg?v=1490884052","\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_2.jpg?v=1490884052"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_3.jpg?v=1490884052","options":["Title"],"media":[{"alt":null,"id":20869808227,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_3.jpg?v=1568697135"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_3.jpg?v=1568697135","width":600},{"alt":null,"id":20869840995,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802.jpg?v=1568697135"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802.jpg?v=1568697135","width":600},{"alt":null,"id":20869873763,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_1.jpg?v=1568697135"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_1.jpg?v=1568697135","width":600},{"alt":null,"id":20869906531,"position":4,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_2.jpg?v=1568697135"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_2.jpg?v=1568697135","width":600}],"content":"\u003cdiv class='\"content\"'\u003e\n\u003cdiv class='\"productDescriptionWrapper\"'\u003e\n\u003cdiv class='\"emptyClear\"'\u003e\n\u003cp\u003eThe Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features\u003c\/p\u003e\n\u003cp\u003eUltra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.\u003c\/p\u003e\n\u003cp\u003eTotalMix FX, RME’s digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb\/Echo effects at up to 192 kHz, plus a built-in monitoring controller. \u2028\u003c\/p\u003e\n\u003cp\u003eThe full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME’s app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs and Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 provides 60 channels of audio: 30 input and 30 output channels.\u003c\/p\u003e\n\u003cp\u003eAll inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 tracks separately.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 has 12 analog I\/Os.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e12 Inputs\u003c\/strong\u003e . 8 balanced TRS on the back and 4 XLR inputs with Mic\/Instrument preamps on the front.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e12 Outputs\u003c\/strong\u003e . On the rear: 8 balanced TRS. On the front: Two hi-power TRS stereo phones outputs provide high volumes even with hi-impedance headphones (playback channels 9\/10 and 11\/12).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality\u003c\/strong\u003e . Like other RME products before the Fireface 802 combines excellent analog circuit design with latest digital conversion technology. All balanced TRS \u0026amp; XLR I\/Os as well as the two phones outputs offer outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don’t produce “sound”, they do not add or remove anything from the source signal, just capture it as it is.\u003c\/p\u003e\n\u003cp\u003eEquipped with the latest low latency A\/D and D\/A converter chips, all I\/Os operate at up to 192 kHz and reach 118 dBA dynamic range on playback - even both headphone outputs. Their high power technology delivers high volume no matter if high or low impedance phones are used.\u003c\/p\u003e\n\u003cp\u003eDue to its efficient jitter reduction, RME’s superior SteadyClock guarantees state-of-the-art AD\/DA conversion, even when clocking to an external clock source.\u003c\/p\u003e\n\u003cp\u003eEvery input and output is individually switchable to these common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale).\u003c\/p\u003e\n\u003cp\u003eAll outputs can be used for ASIO Direct Monitoring (ADM) purposes.\u003c\/p\u003e\n\u003cp\u003ePreamps . for Microphones and Instruments with Low Latency Conversion. The 802 has four high-transparency preamps, also with low latency converters.\u003c\/p\u003e\n\u003cp\u003eMicrophone and instrument preamps of the 802 use the classic technology of the OctaMic II, a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\n\u003cp\u003eThe pot-controlled gain of up to 60 dB, adjustable over a range of 54 dB, is individually set for every preamp on the front of the 802.\u003c\/p\u003e\n\u003cp\u003eThe four inputs on the front use balanced XLR\/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required.\u003c\/p\u003e\n\u003cp\u003eEach channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I\/Os on the rear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e: The Fireface 802 has one professional AES\/EBU I\/O operating at up to 192 kHz.\u003c\/p\u003e\n\u003cp\u003eADAT: Two 8-channel ADAT I\/Os allow for a connection of two additional AD\/DA converters or the insertion of effects devices and mixing consoles. Both I\/Os support sample rates at up to 192 kHz (S\/MUX4). Like AES\/EBU, these 16 ADAT channels are available simultaneously with the analog channels. Using two external converters like the ADI-8 QS, the 802 will provide 28 analog inputs and outputs, 20 with a sample rate of 96 kHz, and still 16 at 192 kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF:\u003c\/strong\u003e The second ADAT I\/O can be used as optical SPDIF I\/O, making the Fireface 802 connections even more flexible.\u003c\/p\u003e\n\u003cp\u003eWord Clock \u0026amp; MIDI: A word clock input and output (BNC) with switchable termination and a MIDI I\/O complete the list of connections, turning the Fireface 802 into a professional audio system with universal usability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DSP based TotalMix mixer allows fully independent routing and mixing of all 30 input and 30 playback channels to all 30 physical outputs. Up to 15 totally independent stereo submixes plus a luxury Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\n\u003cp\u003eEvery input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by a stereo send and return bus. The Fireface 802 offers all these effects in all sample rates, including 192 kHz.\u003c\/p\u003e\n\u003cp\u003eThe two DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels (90) at all sample rates, completely unlimited. The second DSP calculates the effects only, therefore has sufficient resources. For example, at 48 kHz 60 EQs, 40 Low Cuts, 8 Dynamics, Reverb and Echo can be activated.\u003c\/p\u003e\n\u003cp\u003eThe FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the 802 automatically deactivates all effects that exceed the DSP's performance - the DSP will never be overloaded. This also prevents the user from destroyed loudspeakers.\u003c\/p\u003e\n\u003cp\u003eThe complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer, e.g. to create different latency-free monitoring mixes with EQ and Reverb for the main studio monitors and the headphone of the vocalist(s) in the recording chamber.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Controller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 is not only a perfect desktop level controller, but a monitor switcher and source selector with integrated talkback function for modern Mix-In-the-Box studios. As the 802 includes the usually externally added monitoring controller, it also preserves the original sound, as its hardware outputs stay directly connected to the studio monitors\u003c\/p\u003e\n\u003cp\u003eMonitoring Management . Any hardware output can be assigned as Main or Phones output. Talkback, Listenback, Mono, Dim, Recall and External Input will then work automatically and as expected on the assigned outputs.\u003c\/p\u003e\n\u003cp\u003eAdvanced Remote Control . The 802 has a connector for the optional Advanced Remote Control, offering direct access to Volume, DIM, Store, Recall, Mono, Talkback, External Input and much more. Its keys can be also be reprogrammed with individual commands.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB \u0026amp; FireWire\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB 2.0 .\u003c\/strong\u003e The Fireface 802 has been uncompromisingly optimized for highest performance under Windows and Mac OS. It uses customized firmwares for every operating system. Like Fireface UCX and UFX, the 802 provides revolutionary ultra-low latencies* even with multiple channels, comparable to those of PCI and PCI-Express solutions.\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eAD, Line In 1-8, rear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eResolution AD: 24 bit\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 192 kHz, -1 dB: 5 Hz - 92 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt; -104 dB, \u0026lt; 0.00063 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eInput: 6.3 mm TRS jack, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: 8 kOhm unbalanced, 12 kOhm balanced\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: switchable to Lo Gain, +4 dBu, -10 dBV\u003c\/li\u003e\n\u003cli\u003eInput level for 0 dBFS: @ Lo Gain: +19 dBu\u003c\/li\u003e\n\u003cli\u003eInput level for 0 dBFS: @ +4 dBu: +13 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone In 9-12, front\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAs AD, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput impedance: 3.4 kOhm\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA\u003c\/li\u003e\n\u003cli\u003eGain range: 54 dB\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain +6 dB: +10 dBu\u003c\/li\u003e\n\u003cli\u003eInstrument In 9-12, front\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAs AD, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: 6.3 mm TS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eInput impedance: 800 kOhm\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain +6 dB: +21 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA, Line Out 1-8, rear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic range (DR): 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: -110 dB, \u0026lt; 0.00032 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: -104 dB, \u0026lt; 0.00063 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eOutput: 6.3 mm TRS jack, servo-balanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 75 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput level switchable Hi Gain, +4 dBu, -10 dBV\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS: @ Hi Gain: +19 dBu\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS: @ +4 dBu: +13 dBu\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS: @ -10 dBV: +2 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA - Stereo Monitor Output Phones (9-12)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAs DA, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput: 6.3 mm TRS stereo jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eMaximum output level at 0 dBFS: High: +16.8 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum output level at 0 dBFS: Low: +2 dBV\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 30 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eADAT Optical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x TOSLINK I\/O, format according to Alesis specification\u003c\/li\u003e\n\u003cli\u003eStandard: 2 x 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed Windows USB: 1 x 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF optical (via ADAT2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x optical, according to IEC 60958\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBNC, switchable termination\u003c\/li\u003e\n\u003cli\u003eMPN: FF802\u003c\/li\u003e\n\u003cli\u003eUPC: 874792004337\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

RME Fireface 802 24 Bit / 192 kHz 60-channel Hi-Performance USB 2.0 FW Audio Interface - FF802 - 874792004337
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{"id":1528119491,"title":"RME Fireface UCX 18-channel Hybrid USB 2.0\/USB 3 Audio Interface - UCX - 426012336282","handle":"rme-fireface-ucx-rfirefaceucx","description":"\u003cdiv class='\"content\"'\u003e\n\u003cdiv class='\"productDescriptionWrapper\"'\u003e\n\u003cdiv class='\"emptyClear\"'\u003e\n\u003cp\u003eThe Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.\u003c\/p\u003e\n\u003cp\u003eIn doing this the Fireface UCX marks a new packing record: 300 electronic components more than inside the already well-stocked Fireface UC! In a tremendous effort RME packed once again all the latest technologies, introduced with the award winning flagship UFX, plus a bunch of newly developed ones, into a half 19 inch housing with full mobile usability.\u003c\/p\u003e\n\u003cp\u003eThe result is an awesome combination of RME's most successful products: Fireface UFX, Firefaces UC\/400 and Babyface. The Fireface UCX is not just a smaller version of the smash hit UFX, with the HFX-core, the preamps and the complete effects engine. The UCX continues the tradition of RME's tremendously successful compact interfaces, and combines it with the Babyface's usability through the optional RME remotes. With the Fireface UCX RME reinvented an already perfect product, by improving existing features and characteristics plus adding sophisticated new ones:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow Latency mastering grade converters with outstanding specifications.\u003c\/li\u003e\n\u003cli\u003eTwo mic preamps with the premium technology from RME's high-end recording bestsellers Micstasy and UFX, including the AutoSet overload protection.\u003c\/li\u003e\n\u003cli\u003eA newly developed Hammerfall audio core, supporting USB and FireWire with the maximum performance and ultra-low latency operation, combined with the legendary RME driver stability and maintenance, on both bus protocols.\u003c\/li\u003e\n\u003cli\u003eTotalMix FX with the complete Fireface UFX DSP engine, including all effects up to 192 kHz.\u003c\/li\u003e\n\u003cli\u003eMonitoring Controller: combining the impressive flexibility of the TotalMix FX monitoring tool set and the optional RME Remote Control.\u003c\/li\u003e\n\u003cli\u003eRME's unique DIGICheck metering and analysis toolbox for Windows PC and Mac.\u003c\/li\u003e\n\u003cli\u003ePlus support for RME's Advanced Remote Control, active jitter suppression technology, professional reference level support, advanced stand-alone functionality, full 192 kHz operation, and last but not least two high speed MIDI I\/Os.\u003c\/li\u003e\n\u003cli\u003eOn top of it: The Fireface UCX is the first professional audio interface with Class Compliant mode to work with Apple's iPad, for perfect stereo up to 18 channel recording and playback, and the addition of truly professional I\/Os.\u003c\/li\u003e\n\u003cli\u003eSo the UCX is a half rack unit, which is actually more powerful, than most 19 inch units. All in all the Fireface UCX is the new compact-sized dream interface, created with care for every detail, and a new premium solution for any desktop and live usage, without compromises in sound, stability and ultra-low latency operation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInputs and Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UCX provides 36 channels of audio - 18 I\/Os. All channels can be used at the same time. Up to 8 analog and 10 digital channels can be recorded onto 18 separate tracks. All outputs can be used for ASIO Direct Monitoring purposes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UCX provides 8 analog I\/O in a very flexible combination\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8 Inputs\u003c\/strong\u003e. On the rear: 4 balanced TRS. On the front: 2 XLR inputs with Mic\/Line preamps (65 dB Gain) and 2 Hi-Z capable TRS Line\/Instrument inputs..\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8 Outputs\u003c\/strong\u003e . On the rear: 6 balanced TRS outputs. On the front: One additional TRS stereo phones (playback channels 7\/8). The high power phones output offers high volumes even with high-impedance headphones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality\u003c\/strong\u003e . Equipped with a new 2011 A\/D and D\/A high-performance converter design all I\/Os operate at up to 192 kHz. The AD\/DA conversion supersedes the outstanding technical specifications of the Fireface UC\/400 with an impressive 114 dBA dynamic range on both record and playback. The advanced multi-bit converter architecture guarantees excellent S\/N and THD specs across a wide analog level range. In the best RME tradition and product philosophy, the UCX converters and preamps have no characteristic \"sound\" of their own. They neither add nor remove anything, but capture the original signal just as it is.\u003c\/p\u003e\n\u003cp\u003eDue to its efficient jitter reduction, RME's superior SteadyClockTM finalizes the state-of-the-art AD\/DA conversion, even when clocking to an external digital source.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow Latency Converters\u003c\/strong\u003e . All analog I\/Os use a low latency converter design with impressive 14 samples for the ADC, and 7 samples for the DAC, independent of the used sample rate. These values are about a quarter of the Fireface UC\/400 (43\/28), and even outperform much more expensive devices. A technical breakthrough that reduces the overall latency of timing critical applications, in live situations, and in computer-based recording studios. The converter latency is so low (0.4 ms at 48 kHz) that it can be ignored, turning analog digital monitoring into real analog-style monitoring!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Level Support\u003c\/strong\u003e . A great converter needs to support the common studio levels for the perfect adaptation to other analog equipment without loosing headroom. Like all other RME devices the UCX supports the common professional studio levels: -10 dBV, +4 dBu, Lo \/ HiGain. The software-controlled reference levels, realized discretely in the analog domain, ensure highest dynamic range and fidelity.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInputs 3 to 8: -10 dBV, +4 dBu and Lo Gain (adjustable in two groups - channels 3\/4 and 5 to 8).\u003c\/li\u003e\n\u003cli\u003eOutputs 1 to 8: -10 dBV, +4 dBu and Hi Gain (adjustable in two groups - channels 1 to 6 and 7\/8).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAll outputs can be used for ASIO Direct Monitoring purposes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone\/Instrument Preamps with AutoSet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuality over quantity\u003c\/strong\u003e . The UCX provides two high-end mic and instrument preamps - built right into the front.\u003c\/p\u003e\n\u003cp\u003eLike the famous UFX ones, both preamps use core technology of RME's Micstasy. A high-end preamp for supreme sonic demands and critical applications, like professional recordings of classical and acoustic music. The outstanding preamp design boasts extremely low distortion, excellent signal to noise ratio and a perfectly flat frequency response. A premium solution for transmitting and amplifying any audio source truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\n\u003cp\u003eThe digitally controlled gain of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, is individually set for each preamp with the encoder knob on the front or in TotalMix FX on the host computer. All level settings are 100% reproducible and can also be adjusted using a MIDI remote controller.\u003c\/p\u003e\n\u003cp\u003eEach channel can be individually switched to 48V phantom power. LEDs for signal, clip and activated phantom power give a complete overview on the unit's status.\u003c\/p\u003e\n\u003cp\u003eThe two TRS inputs on the front will alternatively operate as Hi-Z inputs. Directly plug in up to two guitars or other instruments - no other hardware is required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutoSet\u003c\/strong\u003e . The UCX offers a unique RME feature which was previously available only in the high-end microphone preamp Micstasy and the UFX. Usually a limiter is used during the recording to prevent clipping of the A\/D converter stage. But analog processing would not only spoil the excellent technical specifications of the UCX mic preamps but also alter the original sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital I\/O, Word Clock \u0026amp; MIDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSPDIF: The UCX provides a coaxial SPDIF I\/O working at up to 192 kHz.\u003c\/p\u003e\n\u003cp\u003eADAT: One 8-channel ADAT I\/O expands the UCX by 8 channels available simultaneously with the analog channels. They can be used to connect an 8-channel AD\/DA converter, a mixing console, or to insert an effect device. The ADAT I\/O supports sample rates with up to 192 kHz (S\/MUX4). Using an external converter like the ADI-8 QS, the UCX will provide 16 analog inputs and outputs, 12 with a sample rate of 96 kHz, and still 10 at 192 kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF\u003c\/strong\u003e: The ADAT I\/O can be used as optical SPDIF I\/O, making the UCX connections even more flexible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock \u0026amp; MIDI\u003c\/strong\u003e: A word clock input and output (BNC) with switchable termination plus two MIDI I\/Os on a breakout cable complete the I\/O list and turn the Fireface UCX into a professional audio system with universal usability.\u003c\/p\u003e\n\u003ch5\u003eFEATURES\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e18 Input \/ 18 Output channels\u003c\/li\u003e\n\u003cli\u003e8 x Analog I\/O\u003c\/li\u003e\n\u003cli\u003e2 x Mic\/ Line Preamps, digitally controlled\u003c\/li\u003e\n\u003cli\u003e2 x Line \/ Instrument inputs, digitally controlled\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF I\/O coaxial\u003c\/li\u003e\n\u003cli\u003e1 x ADAT I\/O (or 1 x SPDIF I\/O optical)\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O (via breakout cabl\u003c\/li\u003e\n\u003cli\u003e1 x FireWire 400\u003c\/li\u003e\n\u003cli\u003e1 x USB 2.0 (USB 3 compatible)\u003c\/li\u003e\n\u003cli\u003eoptional: Advanced Remote Control\u003c\/li\u003e\n\u003cli\u003eTotalMix FX (with UFX effects engine)\u003c\/li\u003e\n\u003cli\u003eMPN: UCX\u003c\/li\u003e\n\u003cli\u003eUPC: 874792004436\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2015-07-09T05:56:00-07:00","created_at":"2015-07-09T05:56:18-07:00","vendor":"RME","type":"Audio Interface","tags":["18-channel","18-channel Audio Interface","426012336282","426012336282 RME","Audio Interface","Audio Interface 18-channel","Audio Interface Fireface","Audio Interface RME","Audio Interface USB 2.0","Audio Interface USB 2.0 RME","cf-type-audio-interface","cf-vendor-rme","Fireface","Fireface Audio Interface","Fireface RME","Fireface UCX","Fireface UCX 18-channel","Fireface UCX 18-channel RME","Fireface UCX RME","reverbsync-force:on","reverbsync-upc:426012336282","RME 426012336282","RME Audio Interface","RME Audio Interface USB 2.0","RME Fireface","RME Fireface UCX","RME Fireface UCX 18-channel","RME UCX","RME USB 2.0","UCX","UCX RME","USB 2.0","USB 2.0 Audio Interface","USB 2.0 RME"],"price":159900,"price_min":159900,"price_max":159900,"available":true,"price_varies":false,"compare_at_price":169900,"compare_at_price_min":169900,"compare_at_price_max":169900,"compare_at_price_varies":false,"variants":[{"id":4571371651,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RFIREFACEUCX","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME Fireface UCX 18-channel Hybrid USB 2.0\/USB 3 Audio Interface - 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It continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.\u003c\/p\u003e\n\u003cp\u003eIn doing this the Fireface UCX marks a new packing record: 300 electronic components more than inside the already well-stocked Fireface UC! In a tremendous effort RME packed once again all the latest technologies, introduced with the award winning flagship UFX, plus a bunch of newly developed ones, into a half 19 inch housing with full mobile usability.\u003c\/p\u003e\n\u003cp\u003eThe result is an awesome combination of RME's most successful products: Fireface UFX, Firefaces UC\/400 and Babyface. The Fireface UCX is not just a smaller version of the smash hit UFX, with the HFX-core, the preamps and the complete effects engine. The UCX continues the tradition of RME's tremendously successful compact interfaces, and combines it with the Babyface's usability through the optional RME remotes. With the Fireface UCX RME reinvented an already perfect product, by improving existing features and characteristics plus adding sophisticated new ones:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLow Latency mastering grade converters with outstanding specifications.\u003c\/li\u003e\n\u003cli\u003eTwo mic preamps with the premium technology from RME's high-end recording bestsellers Micstasy and UFX, including the AutoSet overload protection.\u003c\/li\u003e\n\u003cli\u003eA newly developed Hammerfall audio core, supporting USB and FireWire with the maximum performance and ultra-low latency operation, combined with the legendary RME driver stability and maintenance, on both bus protocols.\u003c\/li\u003e\n\u003cli\u003eTotalMix FX with the complete Fireface UFX DSP engine, including all effects up to 192 kHz.\u003c\/li\u003e\n\u003cli\u003eMonitoring Controller: combining the impressive flexibility of the TotalMix FX monitoring tool set and the optional RME Remote Control.\u003c\/li\u003e\n\u003cli\u003eRME's unique DIGICheck metering and analysis toolbox for Windows PC and Mac.\u003c\/li\u003e\n\u003cli\u003ePlus support for RME's Advanced Remote Control, active jitter suppression technology, professional reference level support, advanced stand-alone functionality, full 192 kHz operation, and last but not least two high speed MIDI I\/Os.\u003c\/li\u003e\n\u003cli\u003eOn top of it: The Fireface UCX is the first professional audio interface with Class Compliant mode to work with Apple's iPad, for perfect stereo up to 18 channel recording and playback, and the addition of truly professional I\/Os.\u003c\/li\u003e\n\u003cli\u003eSo the UCX is a half rack unit, which is actually more powerful, than most 19 inch units. All in all the Fireface UCX is the new compact-sized dream interface, created with care for every detail, and a new premium solution for any desktop and live usage, without compromises in sound, stability and ultra-low latency operation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eInputs and Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UCX provides 36 channels of audio - 18 I\/Os. All channels can be used at the same time. Up to 8 analog and 10 digital channels can be recorded onto 18 separate tracks. All outputs can be used for ASIO Direct Monitoring purposes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UCX provides 8 analog I\/O in a very flexible combination\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8 Inputs\u003c\/strong\u003e. On the rear: 4 balanced TRS. On the front: 2 XLR inputs with Mic\/Line preamps (65 dB Gain) and 2 Hi-Z capable TRS Line\/Instrument inputs..\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8 Outputs\u003c\/strong\u003e . On the rear: 6 balanced TRS outputs. On the front: One additional TRS stereo phones (playback channels 7\/8). The high power phones output offers high volumes even with high-impedance headphones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality\u003c\/strong\u003e . Equipped with a new 2011 A\/D and D\/A high-performance converter design all I\/Os operate at up to 192 kHz. The AD\/DA conversion supersedes the outstanding technical specifications of the Fireface UC\/400 with an impressive 114 dBA dynamic range on both record and playback. The advanced multi-bit converter architecture guarantees excellent S\/N and THD specs across a wide analog level range. In the best RME tradition and product philosophy, the UCX converters and preamps have no characteristic \"sound\" of their own. They neither add nor remove anything, but capture the original signal just as it is.\u003c\/p\u003e\n\u003cp\u003eDue to its efficient jitter reduction, RME's superior SteadyClockTM finalizes the state-of-the-art AD\/DA conversion, even when clocking to an external digital source.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow Latency Converters\u003c\/strong\u003e . All analog I\/Os use a low latency converter design with impressive 14 samples for the ADC, and 7 samples for the DAC, independent of the used sample rate. These values are about a quarter of the Fireface UC\/400 (43\/28), and even outperform much more expensive devices. A technical breakthrough that reduces the overall latency of timing critical applications, in live situations, and in computer-based recording studios. The converter latency is so low (0.4 ms at 48 kHz) that it can be ignored, turning analog digital monitoring into real analog-style monitoring!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Level Support\u003c\/strong\u003e . A great converter needs to support the common studio levels for the perfect adaptation to other analog equipment without loosing headroom. Like all other RME devices the UCX supports the common professional studio levels: -10 dBV, +4 dBu, Lo \/ HiGain. The software-controlled reference levels, realized discretely in the analog domain, ensure highest dynamic range and fidelity.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInputs 3 to 8: -10 dBV, +4 dBu and Lo Gain (adjustable in two groups - channels 3\/4 and 5 to 8).\u003c\/li\u003e\n\u003cli\u003eOutputs 1 to 8: -10 dBV, +4 dBu and Hi Gain (adjustable in two groups - channels 1 to 6 and 7\/8).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAll outputs can be used for ASIO Direct Monitoring purposes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone\/Instrument Preamps with AutoSet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQuality over quantity\u003c\/strong\u003e . The UCX provides two high-end mic and instrument preamps - built right into the front.\u003c\/p\u003e\n\u003cp\u003eLike the famous UFX ones, both preamps use core technology of RME's Micstasy. A high-end preamp for supreme sonic demands and critical applications, like professional recordings of classical and acoustic music. The outstanding preamp design boasts extremely low distortion, excellent signal to noise ratio and a perfectly flat frequency response. A premium solution for transmitting and amplifying any audio source truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\n\u003cp\u003eThe digitally controlled gain of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, is individually set for each preamp with the encoder knob on the front or in TotalMix FX on the host computer. All level settings are 100% reproducible and can also be adjusted using a MIDI remote controller.\u003c\/p\u003e\n\u003cp\u003eEach channel can be individually switched to 48V phantom power. LEDs for signal, clip and activated phantom power give a complete overview on the unit's status.\u003c\/p\u003e\n\u003cp\u003eThe two TRS inputs on the front will alternatively operate as Hi-Z inputs. Directly plug in up to two guitars or other instruments - no other hardware is required.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAutoSet\u003c\/strong\u003e . The UCX offers a unique RME feature which was previously available only in the high-end microphone preamp Micstasy and the UFX. Usually a limiter is used during the recording to prevent clipping of the A\/D converter stage. But analog processing would not only spoil the excellent technical specifications of the UCX mic preamps but also alter the original sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital I\/O, Word Clock \u0026amp; MIDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSPDIF: The UCX provides a coaxial SPDIF I\/O working at up to 192 kHz.\u003c\/p\u003e\n\u003cp\u003eADAT: One 8-channel ADAT I\/O expands the UCX by 8 channels available simultaneously with the analog channels. They can be used to connect an 8-channel AD\/DA converter, a mixing console, or to insert an effect device. The ADAT I\/O supports sample rates with up to 192 kHz (S\/MUX4). Using an external converter like the ADI-8 QS, the UCX will provide 16 analog inputs and outputs, 12 with a sample rate of 96 kHz, and still 10 at 192 kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF\u003c\/strong\u003e: The ADAT I\/O can be used as optical SPDIF I\/O, making the UCX connections even more flexible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock \u0026amp; MIDI\u003c\/strong\u003e: A word clock input and output (BNC) with switchable termination plus two MIDI I\/Os on a breakout cable complete the I\/O list and turn the Fireface UCX into a professional audio system with universal usability.\u003c\/p\u003e\n\u003ch5\u003eFEATURES\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e18 Input \/ 18 Output channels\u003c\/li\u003e\n\u003cli\u003e8 x Analog I\/O\u003c\/li\u003e\n\u003cli\u003e2 x Mic\/ Line Preamps, digitally controlled\u003c\/li\u003e\n\u003cli\u003e2 x Line \/ Instrument inputs, digitally controlled\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF I\/O coaxial\u003c\/li\u003e\n\u003cli\u003e1 x ADAT I\/O (or 1 x SPDIF I\/O optical)\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O (via breakout cabl\u003c\/li\u003e\n\u003cli\u003e1 x FireWire 400\u003c\/li\u003e\n\u003cli\u003e1 x USB 2.0 (USB 3 compatible)\u003c\/li\u003e\n\u003cli\u003eoptional: Advanced Remote Control\u003c\/li\u003e\n\u003cli\u003eTotalMix FX (with UFX effects engine)\u003c\/li\u003e\n\u003cli\u003eMPN: UCX\u003c\/li\u003e\n\u003cli\u003eUPC: 874792004436\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

RME Fireface UCX 18-channel Hybrid USB 2.0/USB 3 Audio Interface - UCX - 426012336282
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{"id":1528118787,"title":"RME HDSPe AIO PCI Express Audio Interface 38 channels 24 bit 192 k - HDSP9632-E - 874792002272","handle":"rme-hdspe-aio-pci-express-audio-interface-38-channels-24-bit-192-k-rhdspeaio","description":"\u003cdiv class='\"content\"'\u003e\n\u003cdiv class='\"productDescriptionWrapper\"'\u003e\n\u003cdiv class='\"emptyClear\"'\u003e\n\u003cp\u003eRME presents the world's most versatile PCI Express audio interface - the HDSPe AIO. This card makes the dream of an All-In-One solution for every possible application come true. The Advanced-Input-Output interface shines with the latest 192 kHz AD- and DA-converters, with more than 112 dB signal to noise ratio. For the first time, all inputs and outputs are simultaneously operational, even SPDIF (phono) and AES\/EBU (XLR). Additional hi-quality analog inputs and outputs can easily be added by favourably priced expansion boards. Of course TotalMix, the unsurpassed flexible routing mixer and SteadyClock, RME's sensational clock technology with maximum jitter suppression of external clock signals, are on board too. HDSPe AIO also supports the optional TCO for synchronization to timecode (LTC\/video). All this combines into a professional 'soundcard' that the world has not seen before.\u003c\/p\u003e\n\u003cp\u003eHDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBalanced stereo analog in- and output, 24-bit\/192kHz, \u0026gt; 112 dB SNR\u003c\/li\u003e\n\u003cli\u003eOptional analog expansion boards with 4 balanced in- or outputs\u003c\/li\u003e\n\u003cli\u003eAll analog I\/Os capable of 192 kHz, constant number of available channels\u003c\/li\u003e\n\u003cli\u003e1 ADAT digital I\/O, supporting 192 kHz via S\/MUX4 operation\u003c\/li\u003e\n\u003cli\u003e1 SPDIF digital I\/O, 192 kHz-capable\u003c\/li\u003e\n\u003cli\u003e1 AES\/EBU digital I\/O, 192 kHz-capable\u003c\/li\u003e\n\u003cli\u003e1 Stereo headphone output, separate DA-converter and playback device\u003c\/li\u003e\n\u003cli\u003eSo up to 18 inputs and 20 outputs can be used simultaneously!\u003c\/li\u003e\n\u003cli\u003e1 MIDI I\/O with 16 channels of hi-speed MIDI via breakout cable\u003c\/li\u003e\n\u003cli\u003eDIGICheck, RME's unique metering- and analysing tool\u003c\/li\u003e\n\u003cli\u003eTotalMix: 760 channel Mixer with 42 bit internal resolution\u003c\/li\u003e\n\u003cli\u003eNative PCI Express - no PCI to PCI Express bridge used\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe HDSPe AIO ships in a basic version with analog RCA\/phono breakout cables (headphone: TRS jack). Therefore all analog I\/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Expansions:\u003c\/strong\u003e An easy to handle ribbon cable connects the optional AI4S-192 AIO and AO4S-192 AIO. These analog expansion boards having one bracket with 4 stereo TRS jacks offer the same performance as the on-board stereo analog I\/O of the HDSPe AIO: up to 192 kHz, balanced operation and 3 different reference levels. With this a maximum of 6 analog inputs and 8 analog outputs can be achieved.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock Expansion\u003c\/strong\u003e: The optional 9632 Word Clock Module provides a galvanically isolated word clock input and two word clock outputs via BNC jacks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTDIF Expansion:\u003c\/strong\u003e HDSPe AIO can also provide a TDIF interface when using the TEB module.\u003c\/p\u003e\n\u003ch5\u003eFEATURES\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e1-Lane PCI Express Endpoint device (no PCI Express to PCI Bridge), revision 1.1.\u003c\/li\u003e\n\u003cli\u003e5 Gbps line speed\u003c\/li\u003e\n\u003cli\u003ePacket-based full-duplex communication (up to 500 MB\/s transfer rate)\u003c\/li\u003e\n\u003cli\u003eSupported sample frequencies: Internally 32, 44.1, 48, 64, 88.2, 96, 176.4, 192 kHz. Externally 28 kHz - 200 kHz\u003c\/li\u003e\n\u003cli\u003e8 buffer sizes\/latencies available: 0.7 ms, 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms\u003c\/li\u003e\n\u003cli\u003eAll settings changeable in real-time\u003c\/li\u003e\n\u003cli\u003eAutomatic and intelligent master\/slave clock control\u003c\/li\u003e\n\u003cli\u003eEnhanced Mixed mode: All inputs and outputs simultaneously operational\u003c\/li\u003e\n\u003cli\u003eTMS (Track Marker Support): Supports CD\/DAT start-IDs and the read out of CD subcode\u003c\/li\u003e\n\u003cli\u003eUnique status windows for record and playback, showing mode and sample rate\u003c\/li\u003e\n\u003cli\u003eDIGICheck, RMEs unique metering and analysing tool\u003c\/li\u003e\n\u003cli\u003eDigital inputs and outputs ground-free transformer coupled\u003c\/li\u003e\n\u003cli\u003e3-stage hardware level control for analog inputs and outputs\u003c\/li\u003e\n\u003cli\u003eBalanced analog input and output, DC-coupled signal path\u003c\/li\u003e\n\u003cli\u003e192 kHz \/ 24-bit converters. SNR 112 dB RMS unweighted, 115 dBA\u003c\/li\u003e\n\u003cli\u003eMaximum input and output level (0 dBFS @ HiGain): +19 dBu\u003c\/li\u003e\n\u003cli\u003eLow impedance headphone output (30 ohm), separate DAC and playback device\u003c\/li\u003e\n\u003cli\u003eSuper low jitter design: \u0026lt; 1 ns in all clock modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x Stereo Analog I\/O (192 kHz)\u003c\/li\u003e\n\u003cli\u003e1 x ADAT I\/O (up to 192 kHz via S\/MUX4)\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF I\/O (192 kHz)\u003c\/li\u003e\n\u003cli\u003e1 x AES\/EBU I\/O (192 kHz)\u003c\/li\u003e\n\u003cli\u003e1 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003e1 x Phones Output (separate DAC, 192 kHz)\u003c\/li\u003e\n\u003cli\u003eTotalMix\u003c\/li\u003e\n\u003cli\u003eMPN: HDSP9632-E\u003c\/li\u003e\n\u003cli\u003eUPC: 874792002272\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2015-07-09T05:56:00-07:00","created_at":"2015-07-09T05:56:15-07:00","vendor":"RME","type":"Audio Interface","tags":["24 bit Audio Interface","24 bit Audio Interface RME","874792002272","874792002272 RME","Audio Interface","Audio Interface 38 channels","Audio Interface 38 channels RME","Audio Interface RME","Audio Interfaces","cf-type-audio-interface","cf-vendor-rme","HDSP9632-E","HDSP9632-E RME","HDSPe AIO","HDSPe AIO PCI Express RME","HDSPe AIO RME","interface","Interface RME","Interfaces","Interfaces RME","PCI Express","PCI Express RME","reverbsync-force:on","reverbsync-upc:874792002272","RHDSPEAIO","RHDSPEAIO RME","rme","RME 24 bit Audio Interface","RME 874792002272","RME Audio Interface","RME Audio Interface 38 channels","RME Audio Interfaces","RME HDSP9632-E","RME HDSPe AIO","RME HDSPe AIO PCI Express","RME Interface","RME Interfaces","RME RHDSPEAIO"],"price":89900,"price_min":89900,"price_max":89900,"available":true,"price_varies":false,"compare_at_price":99900,"compare_at_price_min":99900,"compare_at_price_max":99900,"compare_at_price_varies":false,"variants":[{"id":4571370947,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RHDSPEAIO","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME HDSPe AIO PCI Express Audio Interface 38 channels 24 bit 192 k - HDSP9632-E - 874792002272","public_title":null,"options":["Default Title"],"price":89900,"weight":2268,"compare_at_price":99900,"inventory_quantity":11,"inventory_management":null,"inventory_policy":"deny","barcode":"874792002272"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/main-750x750_3a3d72f0-ffbc-4bf4-9040-177379292f7e.jpeg?v=1436446575","\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/2-750x750_a84e5f10-a573-45b8-9324-b318cc9c2d8f.jpeg?v=1436800254"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/main-750x750_3a3d72f0-ffbc-4bf4-9040-177379292f7e.jpeg?v=1436446575","options":["Title"],"media":[{"alt":"RME HDSPe AIO PCI express audio interface 38 channels, 24 bit 192 k","id":20869382243,"position":1,"preview_image":{"aspect_ratio":1.0,"height":750,"width":750,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/main-750x750_3a3d72f0-ffbc-4bf4-9040-177379292f7e.jpeg?v=1568697134"},"aspect_ratio":1.0,"height":750,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/main-750x750_3a3d72f0-ffbc-4bf4-9040-177379292f7e.jpeg?v=1568697134","width":750},{"alt":null,"id":20869415011,"position":2,"preview_image":{"aspect_ratio":1.0,"height":750,"width":750,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/2-750x750_a84e5f10-a573-45b8-9324-b318cc9c2d8f.jpeg?v=1568697134"},"aspect_ratio":1.0,"height":750,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/2-750x750_a84e5f10-a573-45b8-9324-b318cc9c2d8f.jpeg?v=1568697134","width":750}],"content":"\u003cdiv class='\"content\"'\u003e\n\u003cdiv class='\"productDescriptionWrapper\"'\u003e\n\u003cdiv class='\"emptyClear\"'\u003e\n\u003cp\u003eRME presents the world's most versatile PCI Express audio interface - the HDSPe AIO. This card makes the dream of an All-In-One solution for every possible application come true. The Advanced-Input-Output interface shines with the latest 192 kHz AD- and DA-converters, with more than 112 dB signal to noise ratio. For the first time, all inputs and outputs are simultaneously operational, even SPDIF (phono) and AES\/EBU (XLR). Additional hi-quality analog inputs and outputs can easily be added by favourably priced expansion boards. Of course TotalMix, the unsurpassed flexible routing mixer and SteadyClock, RME's sensational clock technology with maximum jitter suppression of external clock signals, are on board too. HDSPe AIO also supports the optional TCO for synchronization to timecode (LTC\/video). All this combines into a professional 'soundcard' that the world has not seen before.\u003c\/p\u003e\n\u003cp\u003eHDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBalanced stereo analog in- and output, 24-bit\/192kHz, \u0026gt; 112 dB SNR\u003c\/li\u003e\n\u003cli\u003eOptional analog expansion boards with 4 balanced in- or outputs\u003c\/li\u003e\n\u003cli\u003eAll analog I\/Os capable of 192 kHz, constant number of available channels\u003c\/li\u003e\n\u003cli\u003e1 ADAT digital I\/O, supporting 192 kHz via S\/MUX4 operation\u003c\/li\u003e\n\u003cli\u003e1 SPDIF digital I\/O, 192 kHz-capable\u003c\/li\u003e\n\u003cli\u003e1 AES\/EBU digital I\/O, 192 kHz-capable\u003c\/li\u003e\n\u003cli\u003e1 Stereo headphone output, separate DA-converter and playback device\u003c\/li\u003e\n\u003cli\u003eSo up to 18 inputs and 20 outputs can be used simultaneously!\u003c\/li\u003e\n\u003cli\u003e1 MIDI I\/O with 16 channels of hi-speed MIDI via breakout cable\u003c\/li\u003e\n\u003cli\u003eDIGICheck, RME's unique metering- and analysing tool\u003c\/li\u003e\n\u003cli\u003eTotalMix: 760 channel Mixer with 42 bit internal resolution\u003c\/li\u003e\n\u003cli\u003eNative PCI Express - no PCI to PCI Express bridge used\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe HDSPe AIO ships in a basic version with analog RCA\/phono breakout cables (headphone: TRS jack). Therefore all analog I\/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Expansions:\u003c\/strong\u003e An easy to handle ribbon cable connects the optional AI4S-192 AIO and AO4S-192 AIO. These analog expansion boards having one bracket with 4 stereo TRS jacks offer the same performance as the on-board stereo analog I\/O of the HDSPe AIO: up to 192 kHz, balanced operation and 3 different reference levels. With this a maximum of 6 analog inputs and 8 analog outputs can be achieved.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock Expansion\u003c\/strong\u003e: The optional 9632 Word Clock Module provides a galvanically isolated word clock input and two word clock outputs via BNC jacks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTDIF Expansion:\u003c\/strong\u003e HDSPe AIO can also provide a TDIF interface when using the TEB module.\u003c\/p\u003e\n\u003ch5\u003eFEATURES\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e1-Lane PCI Express Endpoint device (no PCI Express to PCI Bridge), revision 1.1.\u003c\/li\u003e\n\u003cli\u003e5 Gbps line speed\u003c\/li\u003e\n\u003cli\u003ePacket-based full-duplex communication (up to 500 MB\/s transfer rate)\u003c\/li\u003e\n\u003cli\u003eSupported sample frequencies: Internally 32, 44.1, 48, 64, 88.2, 96, 176.4, 192 kHz. Externally 28 kHz - 200 kHz\u003c\/li\u003e\n\u003cli\u003e8 buffer sizes\/latencies available: 0.7 ms, 1.5 ms, 3 ms, 6 ms, 12 ms, 23 ms, 46 ms, 93 ms\u003c\/li\u003e\n\u003cli\u003eAll settings changeable in real-time\u003c\/li\u003e\n\u003cli\u003eAutomatic and intelligent master\/slave clock control\u003c\/li\u003e\n\u003cli\u003eEnhanced Mixed mode: All inputs and outputs simultaneously operational\u003c\/li\u003e\n\u003cli\u003eTMS (Track Marker Support): Supports CD\/DAT start-IDs and the read out of CD subcode\u003c\/li\u003e\n\u003cli\u003eUnique status windows for record and playback, showing mode and sample rate\u003c\/li\u003e\n\u003cli\u003eDIGICheck, RMEs unique metering and analysing tool\u003c\/li\u003e\n\u003cli\u003eDigital inputs and outputs ground-free transformer coupled\u003c\/li\u003e\n\u003cli\u003e3-stage hardware level control for analog inputs and outputs\u003c\/li\u003e\n\u003cli\u003eBalanced analog input and output, DC-coupled signal path\u003c\/li\u003e\n\u003cli\u003e192 kHz \/ 24-bit converters. SNR 112 dB RMS unweighted, 115 dBA\u003c\/li\u003e\n\u003cli\u003eMaximum input and output level (0 dBFS @ HiGain): +19 dBu\u003c\/li\u003e\n\u003cli\u003eLow impedance headphone output (30 ohm), separate DAC and playback device\u003c\/li\u003e\n\u003cli\u003eSuper low jitter design: \u0026lt; 1 ns in all clock modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eConnectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x Stereo Analog I\/O (192 kHz)\u003c\/li\u003e\n\u003cli\u003e1 x ADAT I\/O (up to 192 kHz via S\/MUX4)\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF I\/O (192 kHz)\u003c\/li\u003e\n\u003cli\u003e1 x AES\/EBU I\/O (192 kHz)\u003c\/li\u003e\n\u003cli\u003e1 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003e1 x Phones Output (separate DAC, 192 kHz)\u003c\/li\u003e\n\u003cli\u003eTotalMix\u003c\/li\u003e\n\u003cli\u003eMPN: HDSP9632-E\u003c\/li\u003e\n\u003cli\u003eUPC: 874792002272\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

RME HDSPe AIO PCI Express Audio Interface 38 channels 24 bit 192 k - HDSP9632-E - 874792002272
~~$ 999.00~~ $ 899.00
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{"id":2416006467,"title":"Steinberg UR242 USB Audio Interface with IOS Compatibility - UR242 - 086792997483","handle":"steinberg-ur242-high-resolution-usb-ios-audio-interface","description":"\u003cdiv id=\"detailsContainer\"\u003e\n\u003cdiv class=\"details\"\u003e\n\u003cp\u003e\u003cstrong\u003eUR242\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4 x 2 USB 2.0 Audio Interface with 2 x D-PRE and 192 kHz support \u0026amp; MIDI I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBe ready to record music in studio quality on your notebook or iPad with the UR242. With outstanding audio and build quality for its price class, the UR242 combines choice components with advanced onboard DSP-powered FX to offer solutions for a huge range of mobile production scenarios.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn advanced portable production solution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UR242 offers musicians and producers far more than just a portable I\/O device, or even an audio interface; the UR242 is a mobile production solution. That’s because it combines fantastic-sounding I\/O and durability with advanced DSP-based FX that can be used with your DAW software, and that at a price point that is still easily affordable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt to impress\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UR242 offers a perfect balance between three vital factors: quality, portability and cost. First-class components and integrated DSP-powered FX engineered to fit into a small yet rugged interface at an eminently affordable price point — that’s the UR242.\u003c\/p\u003e\n\u003cp\u003eRecord vocals, guitars, MIDI gear and other audio equipment with up to 4 audio channels at once in pristine 24\/192 quality, yet without making any compromises in terms of durability: full metal casing means the UR242 is ready for the rough and tumble of life of a mobile lifestyle. That could be between your recording studio and your hotel room, or between your home recording rig and your band’s rehearsal room: the UR242 offers the features and quality to manage a huge range of production situations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull integration with any DAW with dspMixFx\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UR series integrates seamlessly — as you’d expect — with Cubase, yet also with just about any DAW out there. Just like the 19\" rack model in the UR range, the UR242 offers latency-free monitoring with DSP-powered FX thanks to the onboard SSP2 DSP chip and the latest dspMixFx technology. This gives you a fully integrated DSP-based monitoring setup wherever you are and with whichever DAW you use.\u003c\/p\u003e\n\u003cp\u003eWhen running with Cubase, the UR242 no additional virtual mixer apps are required! All aspects of I\/O handling and DSP management are handled directly from within Cubase. Once your UR242 interface has been installed, Cubase detects the device and automatically embeds it into the Cubase production environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eiPad connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConnect the UR242 to your iPad thanks to the Class Compliant mode. iOS music production apps like Steinberg’s Cubasis are a perfect way to sketch out ideas at home or on the go; then hook up the same interface to your PC or Mac to take your musical ideas to the next level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse cases\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn exceptional portable production solution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith an impressive set of I\/O capabilities for its size, advanced DSP-powered FX system, stellar audio components and compact dimensions, the UR242 is an exceptional interface that balances mobility with audio quality and advanced production features in a way unrivalled in its price range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA pro studio at home\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith DAWs, virtual instruments and boutique effect plug-ins offering unprecedented audio quality on even modestly priced laptops that’s on par with the most expensive studio, many musicians and producers require a compact, portable audio interface that offers functionality and sound quality to match. The UR242 comprises components and technologies of an exceptional standard for its class, offering the audio aficionado a moderately priced, mobile solution on a level with the extraordinary audio quality of today’s computer-based music production software.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe guitar and bass pro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you’re laying down studio-quality guitar tracks or playing live through your laptop as a flexible digital guitar amp, the UR242 is optimized for guitarists. DSP powered virtual amp FX give you an amazingly lively, dynamic sound when monitoring - in zero latency. The Guitar Amp Classics FX suite offers four different analog amps to choose from, as well as full control over these startlingly realistic recreations of classic tube amps. The Hi-Z input on Channel 1 of the UR242’s two combo inputs lets you plug your electric guitar or bass straight into the interface, adapting the input to the high resistance of guitar signals. Add to this the great sound quality, rugged metal casing, full Cubase integration and easy install and set up, and it becomes clear why guitarists looking for a mobile solution for notebooks and iPads need look no further.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards and stage pianos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKeyboardists and players of digital or stage pianos requiring a mobile interface will find the UR242’s mix of features compelling. Two Line inputs and a MIDI port provide “in parallel” recording of the audio signal and MIDI data, ready for further editing or mixing inside your DAW or routing straight through to the main outputs and out to the FOH mixer at live gigs. And with the incredible level of audio and build quality for an interface in this price class, the UR242 offers a fully featured yet affordable solution for any discerning keyboard player or stage pianist — for live gigs, in the studio or at home.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMobile recording of up to three musicians\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecording a small group or duet on a portable system - in studio quality - is one of the many tasks that the UR242 excels at. Set up a microphone for a vocalist and a guitarist, each singing or playing in front of a dynamic or condenser microphone, with a stereo pair of inputs available for a keyboard or stage piano. All three sources can be recorded at the same time in pristine quality with up to 24 bits and 192 kHz. The D-PRE mic preamp offers an incredibly transparent sound that can capture every last nuance of even the most delicate vocal performance or the most subtle instrument. And if your interface takes a couple of knocks while you’re setting up at the venue, no need to panic: the UR242’s metal casing and solid build quality can handle it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking the band\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePerformers and bands often choose to enrich their live sound by running backing tracks from Cubase or other DAWs running on a notebook or by using an iPad. Next to the audio tracks, MIDI data can be used to cue up lighting or other visual equipment that’s perfectly synchronized to the song. As a robust, high-quality mobile solution, the UR242 is the ideal interface for running pre-produced backing tracks out to the FOH mixer. Its ASIO, Core Audio and WDM drivers have been exhaustively tested to ensure flawless operation, even at low latencies or high bit and sample rates. The metal casing will withstand the inevitable knocks and scratches on stage, while the sturdy AC adapter means a rock-solid electricity supply for the audio hardware regardless of the power demands on the notebook’s internal USB. The UR242’s blend of reliability and stellar sound quality make it the perfect choice for bands and performers.\u003c\/p\u003e\n\u003ch5\u003eFEATURES\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e24-Bit\/192 kHz\u003c\/li\u003e\n\u003cli\u003eClass-A D-PRE mic preamps\u003c\/li\u003e\n\u003cli\u003eLatency-free monitoring with FX\u003c\/li\u003e\n\u003cli\u003eBasic FX Suite\u003c\/li\u003e\n\u003cli\u003eRugged metal casing\u003c\/li\u003e\n\u003cli\u003eMajor recording software compatible\u003c\/li\u003e\n\u003cli\u003eiPad connectivity\u003c\/li\u003e\n\u003cli\u003eMIDI input \u0026amp; output\u003c\/li\u003e\n\u003cli\u003eLoopback function\u003c\/li\u003e\n\u003cli\u003eMPN: UR242\u003c\/li\u003e\n\u003cli\u003eUPC: 086792997483\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eVIDEO\u003c\/h5\u003e\n\u003ciframe width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EHJ79L3-wFQ\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2015-09-03T09:56:00-07:00","created_at":"2015-09-03T10:06:31-07:00","vendor":"Steinberg","type":"Audio Interface","tags":["086792997483","086792997483 Steinberg","146160","146160 Steinberg","24-Bit\/192 kHz","Audio Interface","Audio Interface Steinberg","Basic FX Suite","cf-type-audio-interface","cf-vendor-steinberg","Compatibility","free monitoring","free monitoring FX","IOS","IOS Compatibility","IOS Compatibility Steinberg","iPad connectivity","MIDI input \u0026 output","reverbsync-seller-cost:155.00","Rugged metal casing","Software Compatible","Steinberg","Steinberg 086792997483","Steinberg 146160","Steinberg Audio Interface","Steinberg IOS Compatibility","Steinberg UR242","Steinberg UR242 USB Audio Interface with IOS Compatibility","Steinberg USB Audio Interface","UR242","UR242 Steinberg","UR242 USB Audio","UR242 USB Audio Interface","UR242 USB Audio UR242 USB Interface","USB Audio Interface","USB Audio Interface Steinberg"],"price":19999,"price_min":19999,"price_max":19999,"available":true,"price_varies":false,"compare_at_price":24999,"compare_at_price_min":24999,"compare_at_price_max":24999,"compare_at_price_varies":false,"variants":[{"id":7017652931,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SUR242","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Steinberg UR242 USB Audio Interface with IOS Compatibility - UR242 - 086792997483","public_title":null,"options":["Default Title"],"price":19999,"weight":1361,"compare_at_price":24999,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"086792997483"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/SUR242a.jpg?v=1441299992"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/SUR242a.jpg?v=1441299992","options":["Title"],"media":[{"alt":null,"id":26888011875,"position":1,"preview_image":{"aspect_ratio":2.0,"height":400,"width":800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/SUR242a.jpg?v=1568703923"},"aspect_ratio":2.0,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/SUR242a.jpg?v=1568703923","width":800}],"content":"\u003cdiv id=\"detailsContainer\"\u003e\n\u003cdiv class=\"details\"\u003e\n\u003cp\u003e\u003cstrong\u003eUR242\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4 x 2 USB 2.0 Audio Interface with 2 x D-PRE and 192 kHz support \u0026amp; MIDI I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBe ready to record music in studio quality on your notebook or iPad with the UR242. With outstanding audio and build quality for its price class, the UR242 combines choice components with advanced onboard DSP-powered FX to offer solutions for a huge range of mobile production scenarios.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn advanced portable production solution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UR242 offers musicians and producers far more than just a portable I\/O device, or even an audio interface; the UR242 is a mobile production solution. That’s because it combines fantastic-sounding I\/O and durability with advanced DSP-based FX that can be used with your DAW software, and that at a price point that is still easily affordable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt to impress\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UR242 offers a perfect balance between three vital factors: quality, portability and cost. First-class components and integrated DSP-powered FX engineered to fit into a small yet rugged interface at an eminently affordable price point — that’s the UR242.\u003c\/p\u003e\n\u003cp\u003eRecord vocals, guitars, MIDI gear and other audio equipment with up to 4 audio channels at once in pristine 24\/192 quality, yet without making any compromises in terms of durability: full metal casing means the UR242 is ready for the rough and tumble of life of a mobile lifestyle. That could be between your recording studio and your hotel room, or between your home recording rig and your band’s rehearsal room: the UR242 offers the features and quality to manage a huge range of production situations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull integration with any DAW with dspMixFx\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UR series integrates seamlessly — as you’d expect — with Cubase, yet also with just about any DAW out there. Just like the 19\" rack model in the UR range, the UR242 offers latency-free monitoring with DSP-powered FX thanks to the onboard SSP2 DSP chip and the latest dspMixFx technology. This gives you a fully integrated DSP-based monitoring setup wherever you are and with whichever DAW you use.\u003c\/p\u003e\n\u003cp\u003eWhen running with Cubase, the UR242 no additional virtual mixer apps are required! All aspects of I\/O handling and DSP management are handled directly from within Cubase. Once your UR242 interface has been installed, Cubase detects the device and automatically embeds it into the Cubase production environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eiPad connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConnect the UR242 to your iPad thanks to the Class Compliant mode. iOS music production apps like Steinberg’s Cubasis are a perfect way to sketch out ideas at home or on the go; then hook up the same interface to your PC or Mac to take your musical ideas to the next level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse cases\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAn exceptional portable production solution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith an impressive set of I\/O capabilities for its size, advanced DSP-powered FX system, stellar audio components and compact dimensions, the UR242 is an exceptional interface that balances mobility with audio quality and advanced production features in a way unrivalled in its price range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA pro studio at home\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith DAWs, virtual instruments and boutique effect plug-ins offering unprecedented audio quality on even modestly priced laptops that’s on par with the most expensive studio, many musicians and producers require a compact, portable audio interface that offers functionality and sound quality to match. The UR242 comprises components and technologies of an exceptional standard for its class, offering the audio aficionado a moderately priced, mobile solution on a level with the extraordinary audio quality of today’s computer-based music production software.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe guitar and bass pro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you’re laying down studio-quality guitar tracks or playing live through your laptop as a flexible digital guitar amp, the UR242 is optimized for guitarists. DSP powered virtual amp FX give you an amazingly lively, dynamic sound when monitoring - in zero latency. The Guitar Amp Classics FX suite offers four different analog amps to choose from, as well as full control over these startlingly realistic recreations of classic tube amps. The Hi-Z input on Channel 1 of the UR242’s two combo inputs lets you plug your electric guitar or bass straight into the interface, adapting the input to the high resistance of guitar signals. Add to this the great sound quality, rugged metal casing, full Cubase integration and easy install and set up, and it becomes clear why guitarists looking for a mobile solution for notebooks and iPads need look no further.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeyboards and stage pianos\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKeyboardists and players of digital or stage pianos requiring a mobile interface will find the UR242’s mix of features compelling. Two Line inputs and a MIDI port provide “in parallel” recording of the audio signal and MIDI data, ready for further editing or mixing inside your DAW or routing straight through to the main outputs and out to the FOH mixer at live gigs. And with the incredible level of audio and build quality for an interface in this price class, the UR242 offers a fully featured yet affordable solution for any discerning keyboard player or stage pianist — for live gigs, in the studio or at home.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMobile recording of up to three musicians\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecording a small group or duet on a portable system - in studio quality - is one of the many tasks that the UR242 excels at. Set up a microphone for a vocalist and a guitarist, each singing or playing in front of a dynamic or condenser microphone, with a stereo pair of inputs available for a keyboard or stage piano. All three sources can be recorded at the same time in pristine quality with up to 24 bits and 192 kHz. The D-PRE mic preamp offers an incredibly transparent sound that can capture every last nuance of even the most delicate vocal performance or the most subtle instrument. And if your interface takes a couple of knocks while you’re setting up at the venue, no need to panic: the UR242’s metal casing and solid build quality can handle it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking the band\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePerformers and bands often choose to enrich their live sound by running backing tracks from Cubase or other DAWs running on a notebook or by using an iPad. Next to the audio tracks, MIDI data can be used to cue up lighting or other visual equipment that’s perfectly synchronized to the song. As a robust, high-quality mobile solution, the UR242 is the ideal interface for running pre-produced backing tracks out to the FOH mixer. Its ASIO, Core Audio and WDM drivers have been exhaustively tested to ensure flawless operation, even at low latencies or high bit and sample rates. The metal casing will withstand the inevitable knocks and scratches on stage, while the sturdy AC adapter means a rock-solid electricity supply for the audio hardware regardless of the power demands on the notebook’s internal USB. The UR242’s blend of reliability and stellar sound quality make it the perfect choice for bands and performers.\u003c\/p\u003e\n\u003ch5\u003eFEATURES\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e24-Bit\/192 kHz\u003c\/li\u003e\n\u003cli\u003eClass-A D-PRE mic preamps\u003c\/li\u003e\n\u003cli\u003eLatency-free monitoring with FX\u003c\/li\u003e\n\u003cli\u003eBasic FX Suite\u003c\/li\u003e\n\u003cli\u003eRugged metal casing\u003c\/li\u003e\n\u003cli\u003eMajor recording software compatible\u003c\/li\u003e\n\u003cli\u003eiPad connectivity\u003c\/li\u003e\n\u003cli\u003eMIDI input \u0026amp; output\u003c\/li\u003e\n\u003cli\u003eLoopback function\u003c\/li\u003e\n\u003cli\u003eMPN: UR242\u003c\/li\u003e\n\u003cli\u003eUPC: 086792997483\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eVIDEO\u003c\/h5\u003e\n\u003ciframe width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EHJ79L3-wFQ\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

Steinberg UR242 USB Audio Interface with IOS Compatibility - UR242 - 086792997483
~~$ 249.99~~ $ 199.99
UR242 4 x 2 USB 2.0 Audio Interface with 2 x ...
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{"id":1528068227,"title":"Steinberg UR44 USB Audio Interface - UR44 - 086792983264","handle":"steinberg-ur44-audio-interface-sur44","description":"\u003cdiv class='\"content\"'\u003e\n\u003cdiv class='\"productDescriptionWrapper\"'\u003e\n\u003cdiv class='\"aplus\"'\u003e\n\u003cdiv class='\"leftImage\"'\u003e\n\u003cdiv id='\"image0\"'\u003e\n\u003cdiv class='\"imageCaption\"'\u003e\n\u003cp\u003e\u003cstrong\u003eUR44 - Built to last\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6x4 USB 2.0 audio interface with 4x D-PREs, 24-bit\/192 kHz support \u0026amp; MIDI I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe perfect balance between connectivity and portability: the UR44 is a powerful audio\/MIDI interface designed to suit a huge range of recording and production situations. Four mic preamps, six inputs, four output channels, MIDI I\/O ports, onboard DSP power and full iPad connectivity offer an outstandingly flexible feature set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe advanced portable production studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eToday’s musicians and producers demand outstanding quality, sleek design, the latest in audio technology and enough I\/O capability to provide true flexibility while still being fully portable and rugged enough to withstand the challenges of the road. Enter the UR44.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst-class components\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UR44 is unique in its combination of input and output capabilities, stellar component quality and portability. Four Neutrik analog combo inputs with peak LEDs and switchable +48 V phantom power provide inputs for everything from an electric guitar through line-level audio equipment to boutique condenser microphones. Switchable Hi-Z support means no additional DI box is required to hook up your electric guitar or bass. Two additional line inputs allow connection of an extra audio source in combination with four mic preamps giving you a total of six input channels; that’s enough to handle a huge range of recording situations.\u003c\/p\u003e\n\u003cp\u003eThis unique interface also brings you the advantages of latency-free monitoring powered by the dspMixFx application and offering DSP-powered FX, letting you record with compression, EQ, reverb and guitar amp simulation on the headphone mix. And if you’re using Cubase, all this functionality is integrated directly into the Cubase mixer and custom Cubase windows. For composers and producers using MIDI equipment like keyboards or pad controllers, the UR44 provides MIDI I\/O ports on the back panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUpwardly mobile\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UR44 is a unique production system as it puts first-class audio technology and outstanding sound quality in a rugged portable device that gives you enough I\/O capability for complete flexibility: Recording live performances, producing in studio quality at home or in a hotel room, pre-production for your next album in your rehearsal space, playing back audio backing tracks on stage… The UR44 means no compromises — you can keep your options open at all times. Enjoy the audio quality and advanced features of first-class, studio-ready components housed within an interface portable enough to accompany you wherever you and your music happen to be.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEverywhere UR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith its unique balance of portability and I\/O capability, the UR44 may be among the most flexible devices of its kind available today. Four mic preamps, a total of six input channels, two headphone outputs, a MIDI port, iPad connectivity and four output channels mean that you’re equipped to handle a huge range of recording and production scenarios.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProject studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile smaller project studios might not need a huge analog desk or dozens of inputs, they do require outstanding audio quality and the ability to record a wide range of musicians, vocalists and other audio sources. Phantom power for highest quality condenser mics is just as important as a feature as the ability to connect several pairs of monitors for A\/B-ing mixes on different speaker combinations. Need to quickly record guitar to add to your score or song? Just plug in a guitar to a Hi-Z input and record your guitar with DSP FX and no latency. Record all your digital instruments and connect MIDI controller keyboards to completely integrate all your gear in one compact, portable interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe all-round solution for multi-role musicians\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMusicians today often find themselves in several different roles: today you might be recording your band in a rehearsal room, tomorrow helping out on a friend’s album production or DJing at a live venue or club; the week after you might need an interface to playback audio backing tracks for a live gig or spend a Sunday afternoon finally getting around to setting up that home studio. Or you might need a portable interface for your hotel room to record that idea that’s been bouncing around in your head all day while on tour. The perfect balance between I\/O capability, portability, outstanding audio quality and seamless handling throughout makes the UR44 the ideal interface for the modern multi-role musician.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking the band\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThese days many bands and groups augment their live music with pre-produced backing tracks, perhaps even using MIDI to trigger additional equipment like stage lighting. The UR44 offers an ultra-flexible and reliable portable solution for bands and live musicians. Independent headphone outputs with individual volume control mean playback mixes are readily available for one band member in charge of cueing the next song, while four individual line outputs mean up to two separate stereo mixes for the FOH mixer and musicians on stage. The MIDI I\/O can feed lighting equipment with MIDI events synced to the song playing back. And with ultra-stable drivers, a rugged metal case and a sturdy AC adapter that guarantees a stable electrical supply, the UR44 is ideally suited to live bands and performers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMobile recording solution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith its stable driver technology, quality components and four first-class mic preamps, the UR44 offers all the functionality needed to record live performances at smaller, more intimate venues or compact rehearsal rooms, or even to record larger groups or vocal ensembles with a few well-placed, high-quality mics. The combination of a portable interface that can fit in a shoulder bag with first-class hardware and software components like the acclaimed D-PRE mic preamps and the ultra-stable drivers makes the UR44 perfectly suited for many mobile recording situations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePro-level recordings with the iPad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProviding connectivity with Apple’s iPad (V2 or later), the UR44 serves as a portable interface for iPad apps like Cubasis, Steinberg’s streamlined, multi-touch sequencer tailored for the iPad. Perfect for on-the-fly productions and for sketching out musical ideas, Cubasis projects can then be transferred to a computer running Cubase for the next stage of production — while retaining the same audio interface.\u003c\/p\u003e\n\u003cp\u003eBest of all, with the update to firmware version 2.1 you get the free dspMixFx app. Giving control over all the DSP features of the UR interfaces, the dspMixFx for iPad is a convenient tool for every UR user who is also using an iPad.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003edspMixFx for iPad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGiving control over all the DSP features of the UR interfaces, the free dspMixFx for iPad is a convenient tool for every UR user who is also using an iPad.\u003c\/p\u003e\n\u003ch5\u003eFEATURES\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eControl of all DSP features like DSP mixer and DSP effects\u003c\/li\u003e\n\u003cli\u003eWorks with UR44, UR28M and UR824\u003c\/li\u003e\n\u003cli\u003eNo-latency DSP-powered monitoring with the iPad\u003c\/li\u003e\n\u003cli\u003eConvenient operation\u003c\/li\u003e\n\u003cli\u003eWorks with other iOS audio apps\u003c\/li\u003e\n\u003cli\u003e24-bit\/192 kHz USB 2.0 audio interface\u003c\/li\u003e\n\u003cli\u003eFour Class-A D-PRE mic preamps\u003c\/li\u003e\n\u003cli\u003eRugged full-metal casing\u003c\/li\u003e\n\u003cli\u003eCompatible with major recording software\u003c\/li\u003e\n\u003cli\u003eMIDI input \u0026amp; output\u003c\/li\u003e\n\u003cli\u003eiPad connectivity\u003c\/li\u003e\n\u003cli\u003eBasic FX Suite\u003c\/li\u003e\n\u003cli\u003eMPN: UR44\u003c\/li\u003e\n\u003cli\u003eUPC: 086792983264\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eVIDEO\u003c\/h5\u003e\n\u003ciframe width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o7W0Fs3yY30\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2015-07-09T05:53:00-07:00","created_at":"2015-07-09T05:53:01-07:00","vendor":"Steinberg","type":"Audio Interface","tags":["086792983264","086792983264 Steinberg","125632","125632 Steinberg","125632 Stienberg","24-bit\/192 kHz","24-bit\/192 kHz Steinberg","86792983264","86792983264 Steinberg","Basic FX Suite","cf-type-audio-interface","cf-vendor-steinberg","Compatible With Major Recording Software","Convenient operation","DSP effects","DSP mixer","DSP mixer and DSP effects","Four Class-A D-PRE Mic Preamps","iOS audio apps","iPad connectivity","MIDI input","MIDI input \u0026 output","MIDI output","reverbsync-seller-cost:230.00","Rugged Full-Metal Casing","Steinberg","Steinberg 086792983264","Steinberg 125632","Steinberg 24-bit\/192 kHz","Steinberg Audio Interface","Steinberg SUR44","Steinberg UR44","Steinberg UR44 USB Audio Interface","Steinberg USB 2.0 audio interface","Steinberg USB Audio Interface","Steinberg USB Interface","Steiniberg 86792983264","SUR44 Steinberg","UR44","USB 2.0 Audio Interface","USB 2.0 audio interface Steinberg","USB Audio Interface","USB Audio Interface Steinberg","USB Interface","USB Interface Steinberg","Works with other iOS audio apps"],"price":29999,"price_min":29999,"price_max":29999,"available":true,"price_varies":false,"compare_at_price":39999,"compare_at_price_min":39999,"compare_at_price_max":39999,"compare_at_price_varies":false,"variants":[{"id":4571302787,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SUR44","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Steinberg UR44 USB Audio Interface - UR44 - 086792983264","public_title":null,"options":["Default Title"],"price":29999,"weight":1814,"compare_at_price":39999,"inventory_quantity":11,"inventory_management":null,"inventory_policy":"deny","barcode":"086792983264"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/SUR44.jpg?v=1488817612","\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/SUR44_1.jpg?v=1488817612"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/SUR44.jpg?v=1488817612","options":["Title"],"media":[{"alt":null,"id":20846313571,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/SUR44.jpg?v=1568697116"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/SUR44.jpg?v=1568697116","width":600},{"alt":null,"id":20846346339,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/SUR44_1.jpg?v=1568697116"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/SUR44_1.jpg?v=1568697116","width":600}],"content":"\u003cdiv class='\"content\"'\u003e\n\u003cdiv class='\"productDescriptionWrapper\"'\u003e\n\u003cdiv class='\"aplus\"'\u003e\n\u003cdiv class='\"leftImage\"'\u003e\n\u003cdiv id='\"image0\"'\u003e\n\u003cdiv class='\"imageCaption\"'\u003e\n\u003cp\u003e\u003cstrong\u003eUR44 - Built to last\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6x4 USB 2.0 audio interface with 4x D-PREs, 24-bit\/192 kHz support \u0026amp; MIDI I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe perfect balance between connectivity and portability: the UR44 is a powerful audio\/MIDI interface designed to suit a huge range of recording and production situations. Four mic preamps, six inputs, four output channels, MIDI I\/O ports, onboard DSP power and full iPad connectivity offer an outstandingly flexible feature set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe advanced portable production studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eToday’s musicians and producers demand outstanding quality, sleek design, the latest in audio technology and enough I\/O capability to provide true flexibility while still being fully portable and rugged enough to withstand the challenges of the road. Enter the UR44.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst-class components\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UR44 is unique in its combination of input and output capabilities, stellar component quality and portability. Four Neutrik analog combo inputs with peak LEDs and switchable +48 V phantom power provide inputs for everything from an electric guitar through line-level audio equipment to boutique condenser microphones. Switchable Hi-Z support means no additional DI box is required to hook up your electric guitar or bass. Two additional line inputs allow connection of an extra audio source in combination with four mic preamps giving you a total of six input channels; that’s enough to handle a huge range of recording situations.\u003c\/p\u003e\n\u003cp\u003eThis unique interface also brings you the advantages of latency-free monitoring powered by the dspMixFx application and offering DSP-powered FX, letting you record with compression, EQ, reverb and guitar amp simulation on the headphone mix. And if you’re using Cubase, all this functionality is integrated directly into the Cubase mixer and custom Cubase windows. For composers and producers using MIDI equipment like keyboards or pad controllers, the UR44 provides MIDI I\/O ports on the back panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUpwardly mobile\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe UR44 is a unique production system as it puts first-class audio technology and outstanding sound quality in a rugged portable device that gives you enough I\/O capability for complete flexibility: Recording live performances, producing in studio quality at home or in a hotel room, pre-production for your next album in your rehearsal space, playing back audio backing tracks on stage… The UR44 means no compromises — you can keep your options open at all times. Enjoy the audio quality and advanced features of first-class, studio-ready components housed within an interface portable enough to accompany you wherever you and your music happen to be.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEverywhere UR\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith its unique balance of portability and I\/O capability, the UR44 may be among the most flexible devices of its kind available today. Four mic preamps, a total of six input channels, two headphone outputs, a MIDI port, iPad connectivity and four output channels mean that you’re equipped to handle a huge range of recording and production scenarios.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProject studios\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile smaller project studios might not need a huge analog desk or dozens of inputs, they do require outstanding audio quality and the ability to record a wide range of musicians, vocalists and other audio sources. Phantom power for highest quality condenser mics is just as important as a feature as the ability to connect several pairs of monitors for A\/B-ing mixes on different speaker combinations. Need to quickly record guitar to add to your score or song? Just plug in a guitar to a Hi-Z input and record your guitar with DSP FX and no latency. Record all your digital instruments and connect MIDI controller keyboards to completely integrate all your gear in one compact, portable interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe all-round solution for multi-role musicians\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMusicians today often find themselves in several different roles: today you might be recording your band in a rehearsal room, tomorrow helping out on a friend’s album production or DJing at a live venue or club; the week after you might need an interface to playback audio backing tracks for a live gig or spend a Sunday afternoon finally getting around to setting up that home studio. Or you might need a portable interface for your hotel room to record that idea that’s been bouncing around in your head all day while on tour. The perfect balance between I\/O capability, portability, outstanding audio quality and seamless handling throughout makes the UR44 the ideal interface for the modern multi-role musician.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBacking the band\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThese days many bands and groups augment their live music with pre-produced backing tracks, perhaps even using MIDI to trigger additional equipment like stage lighting. The UR44 offers an ultra-flexible and reliable portable solution for bands and live musicians. Independent headphone outputs with individual volume control mean playback mixes are readily available for one band member in charge of cueing the next song, while four individual line outputs mean up to two separate stereo mixes for the FOH mixer and musicians on stage. The MIDI I\/O can feed lighting equipment with MIDI events synced to the song playing back. And with ultra-stable drivers, a rugged metal case and a sturdy AC adapter that guarantees a stable electrical supply, the UR44 is ideally suited to live bands and performers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMobile recording solution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith its stable driver technology, quality components and four first-class mic preamps, the UR44 offers all the functionality needed to record live performances at smaller, more intimate venues or compact rehearsal rooms, or even to record larger groups or vocal ensembles with a few well-placed, high-quality mics. The combination of a portable interface that can fit in a shoulder bag with first-class hardware and software components like the acclaimed D-PRE mic preamps and the ultra-stable drivers makes the UR44 perfectly suited for many mobile recording situations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePro-level recordings with the iPad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProviding connectivity with Apple’s iPad (V2 or later), the UR44 serves as a portable interface for iPad apps like Cubasis, Steinberg’s streamlined, multi-touch sequencer tailored for the iPad. Perfect for on-the-fly productions and for sketching out musical ideas, Cubasis projects can then be transferred to a computer running Cubase for the next stage of production — while retaining the same audio interface.\u003c\/p\u003e\n\u003cp\u003eBest of all, with the update to firmware version 2.1 you get the free dspMixFx app. Giving control over all the DSP features of the UR interfaces, the dspMixFx for iPad is a convenient tool for every UR user who is also using an iPad.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003edspMixFx for iPad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGiving control over all the DSP features of the UR interfaces, the free dspMixFx for iPad is a convenient tool for every UR user who is also using an iPad.\u003c\/p\u003e\n\u003ch5\u003eFEATURES\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eControl of all DSP features like DSP mixer and DSP effects\u003c\/li\u003e\n\u003cli\u003eWorks with UR44, UR28M and UR824\u003c\/li\u003e\n\u003cli\u003eNo-latency DSP-powered monitoring with the iPad\u003c\/li\u003e\n\u003cli\u003eConvenient operation\u003c\/li\u003e\n\u003cli\u003eWorks with other iOS audio apps\u003c\/li\u003e\n\u003cli\u003e24-bit\/192 kHz USB 2.0 audio interface\u003c\/li\u003e\n\u003cli\u003eFour Class-A D-PRE mic preamps\u003c\/li\u003e\n\u003cli\u003eRugged full-metal casing\u003c\/li\u003e\n\u003cli\u003eCompatible with major recording software\u003c\/li\u003e\n\u003cli\u003eMIDI input \u0026amp; output\u003c\/li\u003e\n\u003cli\u003eiPad connectivity\u003c\/li\u003e\n\u003cli\u003eBasic FX Suite\u003c\/li\u003e\n\u003cli\u003eMPN: UR44\u003c\/li\u003e\n\u003cli\u003eUPC: 086792983264\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eVIDEO\u003c\/h5\u003e\n\u003ciframe width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o7W0Fs3yY30\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

Steinberg UR44 USB Audio Interface - UR44 - 086792983264
~~$ 399.99~~ $ 299.99
UR44 - Built to last 6x4 USB 2.0 audio in...
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{"id":3556263619,"title":"Zivix PUC+ Wireless Interface for MIDI Controllers for iOS Devices - PUC152100 - 863298000035","handle":"zivix-puc-wireless-interface-for-midi-controllers-and-ios-devices","description":"\u003cp\u003e\u003cstrong\u003eThe Jamstik+ Is Designed To Get You Playing Quickly\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBluetooth Smart technology makes for a simple, fast and wireless connection. It’s the lesson-practice-recording studio you can take with you.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMidi Isn'T Just For Keyboards Anymore...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe jamstik is a MIDI controller that works in the same basic fashion as a MIDI keyboard does - only it’s tailored to guitar players.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Jamstik Is A Midi Controller You Can Play With Your Own Unique Guitar Skills\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eYour ideas happen on their own schedule. 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Zivix PUC+ Wireless Interface for MIDI Controllers for iOS Devices - PUC152100 - 863298000035
~~$ 129.99~~ $ 99.99
The Jamstik+ Is Designed To Get You Playing Qui...