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{"id":1528119875,"title":"RME Fireface 802 24 Bit \/ 192 kHz 60-channel Hi-Performance USB 2.0 FW Audio Interface - FF802 - 874792004337","handle":"rme-fireface-802-24-bit-192-khz-60-channel-hi-performance-usb-2-0-or-fw-audio-interface-ffireface802","description":"\u003cdiv class='\"content\"'\u003e\n\u003cdiv class='\"productDescriptionWrapper\"'\u003e\n\u003cdiv class='\"emptyClear\"'\u003e\n\u003cp\u003eThe Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features\u003c\/p\u003e\n\u003cp\u003eUltra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.\u003c\/p\u003e\n\u003cp\u003eTotalMix FX, RME’s digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb\/Echo effects at up to 192 kHz, plus a built-in monitoring controller. \u2028\u003c\/p\u003e\n\u003cp\u003eThe full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME’s app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs and Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 provides 60 channels of audio: 30 input and 30 output channels.\u003c\/p\u003e\n\u003cp\u003eAll inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 tracks separately.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 has 12 analog I\/Os.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e12 Inputs\u003c\/strong\u003e . 8 balanced TRS on the back and 4 XLR inputs with Mic\/Instrument preamps on the front.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e12 Outputs\u003c\/strong\u003e . On the rear: 8 balanced TRS. On the front: Two hi-power TRS stereo phones outputs provide high volumes even with hi-impedance headphones (playback channels 9\/10 and 11\/12).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality\u003c\/strong\u003e . Like other RME products before the Fireface 802 combines excellent analog circuit design with latest digital conversion technology. All balanced TRS \u0026amp; XLR I\/Os as well as the two phones outputs offer outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don’t produce “sound”, they do not add or remove anything from the source signal, just capture it as it is.\u003c\/p\u003e\n\u003cp\u003eEquipped with the latest low latency A\/D and D\/A converter chips, all I\/Os operate at up to 192 kHz and reach 118 dBA dynamic range on playback - even both headphone outputs. Their high power technology delivers high volume no matter if high or low impedance phones are used.\u003c\/p\u003e\n\u003cp\u003eDue to its efficient jitter reduction, RME’s superior SteadyClock guarantees state-of-the-art AD\/DA conversion, even when clocking to an external clock source.\u003c\/p\u003e\n\u003cp\u003eEvery input and output is individually switchable to these common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale).\u003c\/p\u003e\n\u003cp\u003eAll outputs can be used for ASIO Direct Monitoring (ADM) purposes.\u003c\/p\u003e\n\u003cp\u003ePreamps . for Microphones and Instruments with Low Latency Conversion. The 802 has four high-transparency preamps, also with low latency converters.\u003c\/p\u003e\n\u003cp\u003eMicrophone and instrument preamps of the 802 use the classic technology of the OctaMic II, a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\n\u003cp\u003eThe pot-controlled gain of up to 60 dB, adjustable over a range of 54 dB, is individually set for every preamp on the front of the 802.\u003c\/p\u003e\n\u003cp\u003eThe four inputs on the front use balanced XLR\/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required.\u003c\/p\u003e\n\u003cp\u003eEach channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I\/Os on the rear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e: The Fireface 802 has one professional AES\/EBU I\/O operating at up to 192 kHz.\u003c\/p\u003e\n\u003cp\u003eADAT: Two 8-channel ADAT I\/Os allow for a connection of two additional AD\/DA converters or the insertion of effects devices and mixing consoles. Both I\/Os support sample rates at up to 192 kHz (S\/MUX4). Like AES\/EBU, these 16 ADAT channels are available simultaneously with the analog channels. Using two external converters like the ADI-8 QS, the 802 will provide 28 analog inputs and outputs, 20 with a sample rate of 96 kHz, and still 16 at 192 kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF:\u003c\/strong\u003e The second ADAT I\/O can be used as optical SPDIF I\/O, making the Fireface 802 connections even more flexible.\u003c\/p\u003e\n\u003cp\u003eWord Clock \u0026amp; MIDI: A word clock input and output (BNC) with switchable termination and a MIDI I\/O complete the list of connections, turning the Fireface 802 into a professional audio system with universal usability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DSP based TotalMix mixer allows fully independent routing and mixing of all 30 input and 30 playback channels to all 30 physical outputs. Up to 15 totally independent stereo submixes plus a luxury Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\n\u003cp\u003eEvery input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by a stereo send and return bus. The Fireface 802 offers all these effects in all sample rates, including 192 kHz.\u003c\/p\u003e\n\u003cp\u003eThe two DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels (90) at all sample rates, completely unlimited. The second DSP calculates the effects only, therefore has sufficient resources. For example, at 48 kHz 60 EQs, 40 Low Cuts, 8 Dynamics, Reverb and Echo can be activated.\u003c\/p\u003e\n\u003cp\u003eThe FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the 802 automatically deactivates all effects that exceed the DSP's performance - the DSP will never be overloaded. This also prevents the user from destroyed loudspeakers.\u003c\/p\u003e\n\u003cp\u003eThe complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer, e.g. to create different latency-free monitoring mixes with EQ and Reverb for the main studio monitors and the headphone of the vocalist(s) in the recording chamber.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Controller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 is not only a perfect desktop level controller, but a monitor switcher and source selector with integrated talkback function for modern Mix-In-the-Box studios. As the 802 includes the usually externally added monitoring controller, it also preserves the original sound, as its hardware outputs stay directly connected to the studio monitors\u003c\/p\u003e\n\u003cp\u003eMonitoring Management . Any hardware output can be assigned as Main or Phones output. Talkback, Listenback, Mono, Dim, Recall and External Input will then work automatically and as expected on the assigned outputs.\u003c\/p\u003e\n\u003cp\u003eAdvanced Remote Control . The 802 has a connector for the optional Advanced Remote Control, offering direct access to Volume, DIM, Store, Recall, Mono, Talkback, External Input and much more. Its keys can be also be reprogrammed with individual commands.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB \u0026amp; FireWire\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB 2.0 .\u003c\/strong\u003e The Fireface 802 has been uncompromisingly optimized for highest performance under Windows and Mac OS. It uses customized firmwares for every operating system. Like Fireface UCX and UFX, the 802 provides revolutionary ultra-low latencies* even with multiple channels, comparable to those of PCI and PCI-Express solutions.\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eAD, Line In 1-8, rear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eResolution AD: 24 bit\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 192 kHz, -1 dB: 5 Hz - 92 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt; -104 dB, \u0026lt; 0.00063 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eInput: 6.3 mm TRS jack, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: 8 kOhm unbalanced, 12 kOhm balanced\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: switchable to Lo Gain, +4 dBu, -10 dBV\u003c\/li\u003e\n\u003cli\u003eInput level for 0 dBFS: @ Lo Gain: +19 dBu\u003c\/li\u003e\n\u003cli\u003eInput level for 0 dBFS: @ +4 dBu: +13 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone In 9-12, front\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAs AD, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput impedance: 3.4 kOhm\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA\u003c\/li\u003e\n\u003cli\u003eGain range: 54 dB\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain +6 dB: +10 dBu\u003c\/li\u003e\n\u003cli\u003eInstrument In 9-12, front\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAs AD, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: 6.3 mm TS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eInput impedance: 800 kOhm\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain +6 dB: +21 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA, Line Out 1-8, rear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic range (DR): 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: -110 dB, \u0026lt; 0.00032 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: -104 dB, \u0026lt; 0.00063 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eOutput: 6.3 mm TRS jack, servo-balanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 75 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput level switchable Hi Gain, +4 dBu, -10 dBV\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS: @ Hi Gain: +19 dBu\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS: @ +4 dBu: +13 dBu\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS: @ -10 dBV: +2 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA - Stereo Monitor Output Phones (9-12)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAs DA, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput: 6.3 mm TRS stereo jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eMaximum output level at 0 dBFS: High: +16.8 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum output level at 0 dBFS: Low: +2 dBV\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 30 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eADAT Optical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x TOSLINK I\/O, format according to Alesis specification\u003c\/li\u003e\n\u003cli\u003eStandard: 2 x 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed Windows USB: 1 x 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF optical (via ADAT2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x optical, according to IEC 60958\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBNC, switchable termination\u003c\/li\u003e\n\u003cli\u003eMPN: FF802\u003c\/li\u003e\n\u003cli\u003eUPC: 874792004337\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2015-07-09T05:56:00-07:00","created_at":"2015-07-09T05:56:20-07:00","vendor":"RME","type":"Audio Interface","tags":["24 Bit","30 Output channels","60 Channel Audio Interface","60-channel Hi-Performance","60-channel Hi-Performance RME","60-channel Hi-PerformanceRME","874792004337","874792004337 RME","Audio Interface","Audio Interface 60 Channel Audio Interface","Audio Interface 60 Channel RME","Audio Interface RME","Audio Interface RME 2.0","cf-type-audio-interface","cf-vendor-rme","FF802","FF802 RME","Fireface 802","reverbsync-force:on","reverbsync-upc:874792004337","rme","RME 30 Output channels","RME 60 Channel Audio Interface","RME 60-channel Hi-Performance","RME 874792004337","RME Audio Interface","RME FF802","RME Fireface 802","USB 2.0","USB 2.0 Audio Interface","USB 2.0 RME"],"price":199900,"price_min":199900,"price_max":199900,"available":true,"price_varies":false,"compare_at_price":219900,"compare_at_price_min":219900,"compare_at_price_max":219900,"compare_at_price_varies":false,"variants":[{"id":4571372035,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"FFIREFACE802","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME Fireface 802 24 Bit \/ 192 kHz 60-channel Hi-Performance USB 2.0 FW Audio Interface - FF802 - 874792004337","public_title":null,"options":["Default Title"],"price":199900,"weight":12,"compare_at_price":219900,"inventory_quantity":11,"inventory_management":null,"inventory_policy":"deny","barcode":"874792004337","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_3.jpg?v=1490884052","\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802.jpg?v=1490884052","\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_1.jpg?v=1490884052","\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_2.jpg?v=1490884052"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_3.jpg?v=1490884052","options":["Title"],"media":[{"alt":null,"id":20869808227,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_3.jpg?v=1568697135"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_3.jpg?v=1568697135","width":600},{"alt":null,"id":20869840995,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802.jpg?v=1568697135"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802.jpg?v=1568697135","width":600},{"alt":null,"id":20869873763,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_1.jpg?v=1568697135"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_1.jpg?v=1568697135","width":600},{"alt":null,"id":20869906531,"position":4,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_2.jpg?v=1568697135"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0879\/4068\/products\/RFIREFACE802_2.jpg?v=1568697135","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class='\"content\"'\u003e\n\u003cdiv class='\"productDescriptionWrapper\"'\u003e\n\u003cdiv class='\"emptyClear\"'\u003e\n\u003cp\u003eThe Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features\u003c\/p\u003e\n\u003cp\u003eUltra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.\u003c\/p\u003e\n\u003cp\u003eTotalMix FX, RME’s digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb\/Echo effects at up to 192 kHz, plus a built-in monitoring controller. \u2028\u003c\/p\u003e\n\u003cp\u003eThe full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME’s app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs and Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 provides 60 channels of audio: 30 input and 30 output channels.\u003c\/p\u003e\n\u003cp\u003eAll inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 tracks separately.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 has 12 analog I\/Os.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e12 Inputs\u003c\/strong\u003e . 8 balanced TRS on the back and 4 XLR inputs with Mic\/Instrument preamps on the front.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e12 Outputs\u003c\/strong\u003e . On the rear: 8 balanced TRS. On the front: Two hi-power TRS stereo phones outputs provide high volumes even with hi-impedance headphones (playback channels 9\/10 and 11\/12).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality\u003c\/strong\u003e . Like other RME products before the Fireface 802 combines excellent analog circuit design with latest digital conversion technology. All balanced TRS \u0026amp; XLR I\/Os as well as the two phones outputs offer outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don’t produce “sound”, they do not add or remove anything from the source signal, just capture it as it is.\u003c\/p\u003e\n\u003cp\u003eEquipped with the latest low latency A\/D and D\/A converter chips, all I\/Os operate at up to 192 kHz and reach 118 dBA dynamic range on playback - even both headphone outputs. Their high power technology delivers high volume no matter if high or low impedance phones are used.\u003c\/p\u003e\n\u003cp\u003eDue to its efficient jitter reduction, RME’s superior SteadyClock guarantees state-of-the-art AD\/DA conversion, even when clocking to an external clock source.\u003c\/p\u003e\n\u003cp\u003eEvery input and output is individually switchable to these common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale).\u003c\/p\u003e\n\u003cp\u003eAll outputs can be used for ASIO Direct Monitoring (ADM) purposes.\u003c\/p\u003e\n\u003cp\u003ePreamps . for Microphones and Instruments with Low Latency Conversion. The 802 has four high-transparency preamps, also with low latency converters.\u003c\/p\u003e\n\u003cp\u003eMicrophone and instrument preamps of the 802 use the classic technology of the OctaMic II, a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\n\u003cp\u003eThe pot-controlled gain of up to 60 dB, adjustable over a range of 54 dB, is individually set for every preamp on the front of the 802.\u003c\/p\u003e\n\u003cp\u003eThe four inputs on the front use balanced XLR\/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required.\u003c\/p\u003e\n\u003cp\u003eEach channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I\/Os on the rear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e: The Fireface 802 has one professional AES\/EBU I\/O operating at up to 192 kHz.\u003c\/p\u003e\n\u003cp\u003eADAT: Two 8-channel ADAT I\/Os allow for a connection of two additional AD\/DA converters or the insertion of effects devices and mixing consoles. Both I\/Os support sample rates at up to 192 kHz (S\/MUX4). Like AES\/EBU, these 16 ADAT channels are available simultaneously with the analog channels. Using two external converters like the ADI-8 QS, the 802 will provide 28 analog inputs and outputs, 20 with a sample rate of 96 kHz, and still 16 at 192 kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF:\u003c\/strong\u003e The second ADAT I\/O can be used as optical SPDIF I\/O, making the Fireface 802 connections even more flexible.\u003c\/p\u003e\n\u003cp\u003eWord Clock \u0026amp; MIDI: A word clock input and output (BNC) with switchable termination and a MIDI I\/O complete the list of connections, turning the Fireface 802 into a professional audio system with universal usability.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe DSP based TotalMix mixer allows fully independent routing and mixing of all 30 input and 30 playback channels to all 30 physical outputs. Up to 15 totally independent stereo submixes plus a luxury Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\n\u003cp\u003eEvery input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by a stereo send and return bus. The Fireface 802 offers all these effects in all sample rates, including 192 kHz.\u003c\/p\u003e\n\u003cp\u003eThe two DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels (90) at all sample rates, completely unlimited. The second DSP calculates the effects only, therefore has sufficient resources. For example, at 48 kHz 60 EQs, 40 Low Cuts, 8 Dynamics, Reverb and Echo can be activated.\u003c\/p\u003e\n\u003cp\u003eThe FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the 802 automatically deactivates all effects that exceed the DSP's performance - the DSP will never be overloaded. This also prevents the user from destroyed loudspeakers.\u003c\/p\u003e\n\u003cp\u003eThe complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer, e.g. to create different latency-free monitoring mixes with EQ and Reverb for the main studio monitors and the headphone of the vocalist(s) in the recording chamber.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Controller\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Fireface 802 is not only a perfect desktop level controller, but a monitor switcher and source selector with integrated talkback function for modern Mix-In-the-Box studios. As the 802 includes the usually externally added monitoring controller, it also preserves the original sound, as its hardware outputs stay directly connected to the studio monitors\u003c\/p\u003e\n\u003cp\u003eMonitoring Management . Any hardware output can be assigned as Main or Phones output. Talkback, Listenback, Mono, Dim, Recall and External Input will then work automatically and as expected on the assigned outputs.\u003c\/p\u003e\n\u003cp\u003eAdvanced Remote Control . The 802 has a connector for the optional Advanced Remote Control, offering direct access to Volume, DIM, Store, Recall, Mono, Talkback, External Input and much more. Its keys can be also be reprogrammed with individual commands.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB \u0026amp; FireWire\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB 2.0 .\u003c\/strong\u003e The Fireface 802 has been uncompromisingly optimized for highest performance under Windows and Mac OS. It uses customized firmwares for every operating system. Like Fireface UCX and UFX, the 802 provides revolutionary ultra-low latencies* even with multiple channels, comparable to those of PCI and PCI-Express solutions.\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eAD, Line In 1-8, rear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eResolution AD: 24 bit\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response: @ 192 kHz, -1 dB: 5 Hz - 92 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt; -104 dB, \u0026lt; 0.00063 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eInput: 6.3 mm TRS jack, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: 8 kOhm unbalanced, 12 kOhm balanced\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: switchable to Lo Gain, +4 dBu, -10 dBV\u003c\/li\u003e\n\u003cli\u003eInput level for 0 dBFS: @ Lo Gain: +19 dBu\u003c\/li\u003e\n\u003cli\u003eInput level for 0 dBFS: @ +4 dBu: +13 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMicrophone In 9-12, front\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAs AD, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: XLR, electronically balanced\u003c\/li\u003e\n\u003cli\u003eInput impedance: 3.4 kOhm\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA\u003c\/li\u003e\n\u003cli\u003eGain range: 54 dB\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain +6 dB: +10 dBu\u003c\/li\u003e\n\u003cli\u003eInstrument In 9-12, front\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAs AD, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput: 6.3 mm TS jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eInput impedance: 800 kOhm\u003c\/li\u003e\n\u003cli\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA\u003c\/li\u003e\n\u003cli\u003eMaximum input level, Gain +6 dB: +21 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA, Line Out 1-8, rear\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic range (DR): 115 dB RMS unweighted, 118 dBA\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: -110 dB, \u0026lt; 0.00032 %\u003c\/li\u003e\n\u003cli\u003eTHD+N: -104 dB, \u0026lt; 0.00063 %\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003eOutput: 6.3 mm TRS jack, servo-balanced\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 75 Ohm\u003c\/li\u003e\n\u003cli\u003eOutput level switchable Hi Gain, +4 dBu, -10 dBV\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS: @ Hi Gain: +19 dBu\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS: @ +4 dBu: +13 dBu\u003c\/li\u003e\n\u003cli\u003eOutput level at 0 dBFS: @ -10 dBV: +2 dBV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDA - Stereo Monitor Output Phones (9-12)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAs DA, but:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOutput: 6.3 mm TRS stereo jack, unbalanced\u003c\/li\u003e\n\u003cli\u003eMaximum output level at 0 dBFS: High: +16.8 dBu\u003c\/li\u003e\n\u003cli\u003eMaximum output level at 0 dBFS: Low: +2 dBV\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 30 Ohm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eADAT Optical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x TOSLINK I\/O, format according to Alesis specification\u003c\/li\u003e\n\u003cli\u003eStandard: 2 x 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\u003cli\u003eDouble Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003cli\u003eQuad Speed Windows USB: 1 x 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPDIF optical (via ADAT2)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x optical, according to IEC 60958\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWord Clock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBNC, switchable termination\u003c\/li\u003e\n\u003cli\u003eMPN: FF802\u003c\/li\u003e\n\u003cli\u003eUPC: 874792004337\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
