Built to Create

The PreSonus Studio 192 USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a single rack space. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 was built for you to create.

Your studio command center

The Studio 192 is designed to be the central hub for any project or professional studio. The onboard talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.

Superior sound

Audiophile-grade digital converters, ultra-low jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Studio 192 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.

The Studio One in Studio 192

With the Studio 192, your audio interface is an integrated extension of your recording environment. Launch Studio One 3, and you’ll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad.

Remote control with UC Surface, too!

The Studio 192’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.

Great signal processors are a PreSonus tradition

Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 provides sixteen instances of Studio One’s Fat Channel plug-in, one for every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.

Expandable when you need more I/O

The Studio 192 has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 so that they naturally extend your analog inputs both sonically and functionally.

Get your hands on a Studio 192

The Studio 192 gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, monitoring with DSP effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other. Check it out at your favorite PreSonus dealer.

General

  • 26x32, 24-bit, 192 kHz audio interface and studio command center
  • Input monitoring with StudioLive Fat Channel DSP processing on every analog input and the first ADAT inputs
  • Integrated zero-latency monitoring
  • Speaker switching and talkback

Integrated Software

  • Total integration with included Studio One Artist DAW software (Mac/Windows) for multitrack music production, monitor mixing with effects, and studio command features
  • Wireless control over preamp levels, monitor mixing, and speaker switching from included UC Surface touch-control software (Mac/Windows/iPad) and from free Studio One Remote for iPad
  • Compatible with most recording software for Mac and Windows

Flexible Connectivity

  • Simultaneous I/O up to 26 inputs/32 outputs (8x14 at 192 kHz)
  • Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface
  • 2 front-panel combo microphone/instrument inputs
  • 8 XMAX remote controllable mic preamps with individually switched 48V phantom power
  • 6 balanced line level direct-to-ADC inputs, available via dual-purpose rear-panel combo jacks
  • 8 balanced TRS ¼” outputs for monitor mixing and speaker switching
  • ADAT / Dual SMUX Optical inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channel at 88.2 or 96 kHz
  • Stereo S/PDIF coaxial input and output
  • BNC word clock input and output with low-jitter clocking

Digitalia

  • USB 3.0 audio interface
  • USB 2.0 compatible
  • 24-bit resolution and up to 192 kHz sampling rate
  • Top-quality 118 dB A/D/A converters

Physical

  • Road-rugged construction with all-metal chassis and metal knobs
  • 1U rack-mountable

Mac

  • Mac OS X 10.8.5 64-bit or later
  • Intel Core 2 Duo processor
  • 4 GB RAM

Windows

  • Windows 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
  • Intel Core 2 Duo or AMD Athlon X2 processor
  • 4 GB RAM

Mac and Windows Systems

  • USB 2.0 port
  • Internet connection
  • Internal or external 7200 RPM storage drive highly recommended
  • 30 GB hard disk space
  • Monitor with 1366x768 resolution

iOS

  • iOS 9.3 or later
  • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2


Android (QMix-UC)

  • Android 5.0 (Lollipop) or later
  • Android smartphone or tablet

Mi​crophone Preamp

  • Type: XLR Female (via Combo), Balanced Remote
  • Maximum Input level (min. gain, 1 kHz@0.5% THD+N): +12 dBu, ±0.5 dB
  • Gain Control Range: 60 dB, ±1 dB
  • Frequency Response (A-D): 10 Hz to 40 kHz, ±0.2 dB
  • Dynamic Range (min. gain, a-wtd): > 110 dB
  • Dynamic Range (mid. Gain, unwtd): > 105 dB
  • THD+N (min. gain, a-wtd): < 0.005%
  • Input Impedance: 1.6 kΩ
  • EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd): < 128 dBu
  • Common Mode Rejection Ratio (1 kHz, +55dB gain): > 55 dB
  • Phantom Power: +48V, ±3V, >8 mA per channel

Instrument Inputs

  • Type: ¼” TS Female (via Combo), Unbalanced
  • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): +16 dBu, ±0.5 dB
  • Gain Control Range: 60 dB, ±1 dB
  • Frequency Response (A-D): 20 Hz to 20 kHz, ±0.2 dB
  • Dynamic Range (min. gain, a-wtd): > 110 dB
  • Dynamic Range (mid. Gain, unwtd): > 105 dB
  • THD+N (1 kHz, -1 dBFS, a-wtd): < 0.005%
  • THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%
  • Input Impedance: > 1 MΩ
  • Crosstalk (1 kHz, channel-to-channel): < -80 dB

Line Inputs

  • Type: ¼” TRS Female (via Combo), Balanced
  • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): + 18 dBu, +/-0.5 dB
  • Frequency Response (A-D): 20 Hz to 20 kHz, +/-0.2 dB
  • Dynamic Range (min. gain, a-wtd): > 114 dB
  • Dynamic Range (mid. gain, unwtd): > 105 dB
  • THD+N (1 kHz, -1 dBFS, a-wtd): < 0.005%
  • Input Impedance: 10 kΩ
  • Crosstalk (1 kHz, channel-to-channel): < -80 dB

Main and Line Outputs

  • Type (Line Outputs): ¼” TRS Female, Impedance Balanced
  • Type (Main Outputs): ¼” TRS Female, Impedance Balanced
  • Maximum Output Level: +18 dBu, ±0.5 dB
  • Frequency Response: 20 Hz to 20 kHz, ±0.2 dB
  • Dynamic Range (a-wtd): > 112 dB
  • THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%
  • Output Impedance: 51Ω
  • Crosstalk (1 kHz, channel-to-channel): < -80 dB

Headphone Outputs

  • Type: ¼” TRS Female, Stereo, Unbalanced
  • Maximum Output Level: 150 mW/channel @ 60Ω
  • Frequency Response: 20 Hz to 20 kHz, ±0.3 dB
  • Dynamic Range (a-wtd): > 103 dB
  • THD+N (1 kHz, -1 dBFS, un-wtd): < 0.005%
  • Crosstalk (1 kHz, channel-to-channel): < -80 dB

Internal Talkback Microphone

  • Type: Electret Condenser
  • Sensitivity: -42 dB

Signal Level LEDs

  • Signal 1: -50 dBFS
  • Signal 2: -30 dBFS
  • Signal 3: -20 dBFS
  • Signal 4: -10 dBFS
  • Signal 5: -6 dBFS
  • Signal 6: -4 dBFS
  • Signal 7: -2 dBFS
  • Clip: -0.5 dBFS

Digital Audio

  • Host Interface: USB 3.0 (backward compatible with USB 2.0)
  • ADC Dynamic Range (A-wtd, 48 kHz): 118 dB
  • DAC Dynamic Range (A-wtd, 48 kHz): 118 dB
  • Bit Depth: 24 bits
  • Internally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
  • ADAT Optical I/O: ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)]
  • S/PDIF I/O: RCA female connections, supported up to 96 kHz
  • Word Clock I/O: BNC connector, 4.5 Vpp @75Ω load

Clock

  • Jitter: <50 ps RMS (20 Hz – 20 kHz)
  • Jitter Attenuation: >60 dB (1 ns in => 1 ps out)

Power

  • External Power Adapter: +12 VDC, 3.0A, center positive
  • Connector Type: Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length

Physical

  • Dimensions: 1U rackmount
  • Height: 1.75” (44.45 mm)
  • Depth: 5.5” (139.7 mm)
  • Width: 19” (482.6 mm)
  • Weight: 4.9 lb. (2.22 kg)
  • MPN: STUDIO192
  • UPC: 673454003288

Audio MIDI Plus is committed to deliver the best experience for our customers. If for some reason you are not satisfied with your purchase, you may return it for a refund of the purchase price, an exchange or a store credit within 30 days from the ship date. 

In the unlikely event that you received a defective product, a wrong product, or damaged product, Audio MIDI Plus will replace it at no charge of any additional shipping cost. We will send you a prepaid label to return the item, and ship you a replacement. You will not incur any shipping charges. Please notify us of any of damaged, defective or misshipped products within 14 days.

After 30 days, you may request manufacturer warranty if your item malfunctions. Unless otherwise specified, Audio MIDI Plus is an authorized dealer for all the brands we represent.

How to request a return:
Please email us or call us to obtain a RMA number. All returns must be in a re-sellable condition and include all packing materials, accessories and paperwork. We may apply a restocking fee if the returned products fall into these following categories:

  • Missing original packaging, manuals, accessories, or any contents that was included
  • RMA number was not associated with the return
  • Items not in original like new condition

Please send all returns to:
Audio MIDI Plus Returns
3725 Saddle Drive,
Carlsbad, CA 92010

The following items are not returnable, unless received DOA, in which we will send a replacement:

  • Software
  • Electronic Delivery of Software
  • Special orders
  • DVD’s

Items that fall into the in mouth and in ear use category, such as mouthpieces, earphones, ear plugs, harmonicas, cannot be returned due to health regulations

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