EXOTIC KING KOA AUDITORIUM E GUITARS

Kim Breedlove loves the music of the Hawaiian Islands. After designing the bigger sounding Breedlove Auditorium body shape, the rich mid-range sound of koa was his natural choice. Marrying the power of a thinner koa soundboard with a slightly more robust back and the tonal balance of the Breedlove Bridge Truss, we achieve a sweet harmonious sound that comes from the stunning 5A figured koa used throughout the instrument body. It is meticulously crafted with bloodwood binding and exotic abalone inlay that accent the stunning figure in the koa. This fine instrument along with all other Masterclass, Exotic and Custom Sound Studio Series instruments are available exclusively in the USA through our Distinctive Dealers or internationally through our International Distributors.

BODY SHAPE

Breedlove set out to enhance the traditional dreadnought sound, and the results are evident. If you’re inspired by the familiarity of a dread, but are looking for more nuance and richness than usual, the Breedlove Dreadnought delivers. The shape is slightly more rounded than traditional dreadnoughts and produces beautifully full, punchy, and articulate tones. It also provides excellent projection and articulation, so it excels in any ensemble. The hand-graduated top provides the balance and clarity that make this one of the most innovative and expressive-sounding dreadnoughts on the market.

GRADUATED TOP

Breedlove graduated tops contribute stunning balance from lows to highs. How? Graduated tops are slightly thicker on the treble side, balancing the higher energy treble frequencies with the lower energy bass frequencies traveling through the thinner bass side. The result: clearer, cleaner highs and stable, resonant lows. Because no two soundboards are exactly the same, Breedlove craftsmen evaluate each top for stiffness and density, and then graduate it accordingly. The amount of graduation is customized for each individual instrument. The top is sanded to the precise graduated thickness to achieve optimal flexibility and stiffness. This hands-on process is one of the major contributors to the Breedlove sound.

BREEDLOVE BRIDGE TRUSS

The Breedlove Bridge Truss (BBT) reduces tension on the soundboard of the guitar, so the top wood is able to vibrate more freely, producing remarkable sustain, balance, and clarity. The BBT also allows for a thinner graduated top, thereby allowing Breedlove craftsmen to bring out the optimal sound from the top wood without sacrificing structural stability. Relieving much of the string tension from the bridge prevents “bridge belly,” ensuring top stability for decades. Guitar strings can exert up to 230 pounds of pull from the nut to the bridge. Traditional methods for preventing top bowing at the bridge usually involve heavy internal bracing and thicker tops. The BBT compensates for this pressure in an innovative way: The BBT is mounted to the bridge from the inside and is connected into the tail block of the guitar, pulling downward on the underside of the bridge to distribute some of the tension, relieving pressure on the top. The resulting tonal effect on BBT-equipped guitars is more resonance and livelier sound with enhanced overtones.

BREEDLOVE NECK

Breedlove guitar necks feature a slimmer neck profile, which enables comfortable play, even with smaller hands. Unlike traditional dovetail neck joints that require major surgery for a neck re-set, it is easy to adjust the play action and neck angle with the Breedlove bolt-on neck and single-action truss rod. The hand-rubbed, semi-gloss Breedlove neck finish contributes to ideal playability – the finish process alone takes three days, including precise finish coat applications, fine sanding, and hand buffing and rubbing.

WOOD SELECTION

Koa, acacia koa, originates in the Hawaiian Islands. Koa is one of the most visually stunning tonewoods available, with golden hues and, often, dramatic figure. Limited supply of the tonewood has driven up prices in recent years, so it is rarely found in production guitars. It is characterized by a tone that is both clear and sweet. Koa has the clarity of rosewood, but with the warm, light tones of mahogany and it opens up over time, the more the instrument is played, expanding the midrange, for an even richer, sweeter tone. The colors range from brown to gold, with rich and varying grain, tending toward curl or flame figure in old-growth trees.

BREEDLOVE ASYMMETRICAL HEADSTOCK

The asymmetrical headstock featured on CM, Concert, Auditorium, and 12-String body shapes isn’t just a pretty design – it’s specifically designed to keep the strings in a straight, even line from the nut to the tuning pegs. The result is even tension, stable tuning, and ease of alternate tuning.

GENERAL

  • Body Type: Auditorium
  • Neck Wood: Honduran mahogany
  • Solid Wood Top: Koa
  • Solid Wood Back & Sides: Koa
  • Top Finish: Gloss
  • Back & Side Finish: Gloss
  • Fretboard: African ebony
  • Frets: 20
  • Nut Width: 1.75"
  • Tuners Hardware: Gotoh 510, gold with ebony buttons
  • Lower Bout Width: 15.635"
  • Waist Width: 9.18"
  • Upper Bout Width: 11.35"
  • Body Length: 20"
  • Body Depth: 3.75"
  • String Gauge: D'Addario EXP 16's
  • Pickup: LR Baggs Anthem TRU-Mic
  • Bridge: Winged bridge, African ebony
  • Binding: Bloodwood
  • Inlay: Hooks
  • Scale Length: 25.5"
  • Sound Hole: 4"
  • MPN: EXAD01EKOKO
  • UPC: 875934006592

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